Onegin at the Bolshoi

Par Janet Ward, 13 mars 2017

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“Lantratov played Onegin with considerable nuance and intensity”

Critique faite à Bolshoi Theatre: Historic Stage, Moscow, le 10 mars 2017

Onéguine (John Cranko)

Bolshoi Ballet

Pavel Sorokin, Direction

Jürgen Rose, Décors, Costumes

Semyon Chudin, Danse

Vladislav Lantratov, Danse

Anastasia Staskevich, Danse

Olga Smirnova, Danse

Vitaly Biktimirov, Danse

La première d’Onéguine, prélude aux adieux de Ganio et Pagliero

Laurine Mortha, 8th February

Le ballet de John Cranko sera la dernière danse de l’étoile Mathieu Ganio avant ses adieux à la scène, bientôt suivis de ceux de Ludmila Pagliero... ce qui rend la production d'autant plus bouleversante.

*****

Onéguine, un poème chorégraphique élégiaque

Jade Larine, 13th February

Cet Onéguine dansé restitue avant tout deux univers russes révolus, l'un bucolique et l'autre impérial, composant ainsi un poème chorégraphique d'une infinie poésie.

****1

The Australian Ballet does Romeo and Juliet: precision over passion

Katie Lawrence, 24th April

This revival of Romeo and Juliet combines vivid staging and technical leads, but the lover's careful partnership lacks the volatility that makes young love convincing and tragedy believable.

***11

Emotivo Romeo y Julieta en el Municipal de Santiago

Pedro Carcey, 15th April

La producción del Municipal de Santiago de Romeo y Julieta ofreció una versión emotiva y de una narrativa eficaz para recrear la trágica historia de los amantes de Verona.

****1

Hot ice: Osipova and Brændsrød sizzle in Cranko’s Onegin

Mark Pullinger, 3rd June

Natalia Osipova, a seasoned Tatiana, is joined by Lukas B Brændsrød, making his debut as Onegin in the summer return of John Cranko's take on Pushkin's classic verse novel.

*****

The Royal Ballet in Onegin: supreme performances across the board

Graham Watts, 22nd January

The welcome revival of a borrowed jewel in The Royal Ballet's treasure chest of story ballets.

*****

Plus de critiques...

Janet Ward

A former research scientist and policy analyst, Janet Ward is a writer/editor. For the past 50 years, she has been attending ballet performances, with a particular focus on Russian companies, which she has travelled far and wide to see. She is currently working on a book about the Bolshoi Ballet.

The Bolshoi dances John Cranko's Onegin