CBSO give an outstanding UK première of Golijov's Azul and Shostakovich's Fifteenth

Par Clive Peacock, 10 mars 2016

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“the most extravagant percussion unit seen at CBSO concerts for a long while”

Critique faite à Symphony Hall, Birmingham, le 9 mars 2016

Borodine, Prince Igor: Danses polovtsiennes

Golijov, Azul

Chostakovitch, Symphonie no. 15 en la majeur, Op.141

City of Birmingham Symphony Orchestra

Alpesh Chauhan, Direction

Eduardo Vassallo, Violoncelle

Les orages printaniers de Vilde Frang et Mirga Gražinytė-Tyla à Bozar

Valentin Gautron Lavarone, 22nd March

Mirga Gražinytė-Tyla et les musiciens du City of Birmingham Symphony Orchestra ont manqué de trébucher dans Schumann mais ont porté Elgar au sommet avec Vilde Frang.

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Au-delà des horizons : le CBSO, Mirga Gražinytė-Tyla et Yuja Wang

Sylvain Gaulhiac, 22nd May

Le City of Birmingham Symphony Orchestra débarque au Théâtre des Champs-Élysées sous la baguette de sa directrice musicale. Un programme bien ficelé autour de Ravel, Brahms et Prokofiev avec la pianiste Yuja Wang.

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Klaus Florian Vogt au TCE avec Andris Nelsons et le CBSO : le père, le fils... et l'esprit wagnérien

Denis Peyrat, 1st June

Klaus Florian Vogt, l'un des grands ténors wagnériens actuels a interprété avec brio au Théâtre des Champs Elysées Parsifal et surtout Lohengrin. Il était magnifiquement soutenu par Andris Nelsons avec le City of Birmingham Symphony Orchestra, qui ont aussi illuminé Dvorak.

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Carlo Rizzi brings Respighi’s Rome to Birmingham

Robert Gainer, 15th April

Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?

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Nelson Goerner shines with the CBSO and Rachmaninov’s Rhapsody

Robert Gainer, 9th April

The CBSO present the work of three European émigré composers of the 1930s and 40s, who reimagined their musical influences with contrasting approaches and results.

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Yamada and the CBSO’s Walton expedition at the Elbphilharmonie

Mengguang Huang, 10th March

In Hamburg, Kazuki Yamada and the CBSO navigate the thorny brilliance of Walton’s First Symphony, proving that ‘difficult’ music can offer an evening’s most profound human connection.

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Clive Peacock

Clive’s musical education began at Bristol Cathedral School and continued at home with a piano and singing teacher mother. During a commercial career, mainly in London with Voluntary Service Overseas and Prudential plc, he developed his love for the works of the great composers in the capital’s concert halls and opera houses. Since his retirement in 2000 he has reviewed for local Midland newspapers covering festivals in Coventry, Warwick, Leamington, Stratford and Longborough and completed a degree at Warwick University. Involvement in local politics, taking morning swims in Kenilworth and maintaining Morgan sports cars are favourite hobbies.