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Radvanovsky triumphs as Cherubini's Medea opens the Met Opera season

Sondra Radvanovsky (Medea)
© Marty Sohl | Met Opera
Sondra Radvanovsky (Medea) and Matthew Polenzani (Giasone)
© Marty Sohl | Met Opera
Janai Brugger (Glauce) and Matthew Polenzani (Giasone)
© Marty Sohl | Met Opera
Janai Brugger (Glauce), Michele Pertusi (Creonte), Matthew Polenzani (Giasone) and ensemble
© Marty Sohl | Met Opera
Sondra Radvanovsky (Medea)
© Marty Sohl | Met Opera
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“this Medea cements Radvanovsky's position as thrilling prima donna assoluta”
Critique faite à Lincoln Center: Metropolitan Opera House, New York, le 27 septembre 2022
Cherubini, Médée/Medea
Metropolitan Opera
Carlo Rizzi, Direction
Sir David McVicar, Mise en scène, Décors
Doey Lüthi, Costumes
Paule Constable, Lumières
The Metropolitan Opera Orchestra
The Metropolitan Opera Chorus
S Katy Tucker, Projection designer
Sondra Radvanovsky, Medea
Matthew Polenzani, Giasone
Janai Brugger, Glauce
Ekaterina Gubanova, Néris
Michele Pertusi, Creonte
Jo Meredith, Chorégraphie
The Met’s Frida y Diego proves visually stunning, musically thrilling
*****
Asmik Grigorian strengthens the Met’s revival of Eugene Onegin
****1
Innocence: Saariaho’s final opera receives New York premiere
*****
Tristan und Isolde at the Met: staging gets in the way of the music
***11
Ailyn Pérez is the perfect Butterfly in the Met’s revival
*****
Vocal thrills in Met’s traditional staging of Bellini’s I puritani
*****
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