Cleveland at the Concertgebouw

Par Cynthia Wilson, 23 septembre 2014

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“Welser-Möst prefers the sparkle of silver to the warmth of gold”

Critique faite à Concertgebouw: Main Hall, Amsterdam, le 22 septembre 2014

Brahms, Ouverture pour une fête académique (Akademische Festouverture), Op.80

Widmann, Flûte en suite, for flute and orchestra groups

Brahms, Symphonie no. 2 en ré majeur, Op.73

The Cleveland Orchestra

Franz Welser-Möst, Direction

Joshua Smith, Flûte

Cleveland et Franz Welser-Möst en hérauts des temps passés

Julien Hanck, 16th October

Ces dernières années, on a surtout entendu Mahler sculpté par des baguettes démiurges : celles de Rattle, de Nézet-Séguin ou de Harding. Toutes ces lectures paraîtraient outrancières face à celle que proposait Franz Welser-Möst et l'Orchestre de Cleveland à la Philharmonie.

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Brahms à la Salle Pleyel

Luca Dupont-Spirio, 20th September

Arrivés à Paris pour l'avant-dernière étape de leur tournée européenne, Franz Welser-Möst et l'Orchestre de Cleveland ont interprété Brahms avec une précision aussi intimidante que remarquable.

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Barbara Hannigan surveys American voices with The Cleveland Orchestra

Sam Jacobson, 14th February

Works by Crumb, Ruggles, Barber and Gershwin offer four distinct ideas of what American music can sound like in Barbara Hannigan’s explorative Cleveland Orchestra program.

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The Cleveland Orchestra at Carnegie Hall: symphonic extremes

Sam Jacobson, 21st January

Following a polished account of Mozart’s Jupiter Symphony, Shostakovich’s Eleventh erupted with visceral force, as Franz Welser-Möst led The Cleveland Orchestra in a performance of gripping intensity.

*****

A study in control and proportion: the Clevelanders’ Verdi Requiem

Edward Sava-Segal, 20th January

Asmik Grigorian leads a strong quartet of soloists and the Cleveland Orchestra Chorus shape the performance at Carnegie Hall.

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An uneven symphonic pairing from Franz Welser-Möst in Cleveland

Frank Kuznik, 10th January

Mozart and Shostakovich make an uncomfortable fit in a program designed to highlight their differences.

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Cynthia Wilson

Boston-born, educated at Concord Academy and Sarah Lawrence College, Cynthia Wilson studied harpsichord in Amsterdam. She has performed, taught and held significant management positions: public radio, Philips Hall, Rotterdam Philharmonic. Wilson subsequently founded wwclassics: (arts) policy and (events) production. She recently published the biography of Menahem Pressler (Beaux Arts Trio).