The Met in HD, Salome, 2008

Par David Larkin, 26 novembre 2013

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“Karita Mattila was rock solid throughout, with exquisite high notes”

Critique faite à Lincoln Center: Metropolitan Opera House, New York, le 10 novembre 2008

Strauss R., Salomé

Metropolitan Opera

Patrick Summers, Direction

Karita Mattila, Salomé

Ildikó Komlósi, Hérodias

Kim Begley, Hérode Antipas

Joseph Kaiser, Narraboth

Juha Uusitalo, Jochanaan

The Metropolitan Opera Orchestra

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

Susan Stempleski, 31st December

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

Porgy and Bess returns stronger than ever at the Met

Robert Levine, 7th December

Back to Catfish Row for another revival of The Gershwins’ Porgy and Bess and James Robinson’s show continue to wow our writer.

*****

Singers bring passion and excitement to Met’s Andrea Chénier revival

Susan Stempleski, 24th November

The Metropolitan Opera kicks off this season’s revival of Umberto Giordano’s tempestuous melodrama with standout performances from a resplendent cast.

****1

Willis-Sørensen headlines a successful Arabella revival at the Met

Ako Imamura, 10th November

The Metropolitan Opera revives Otto Schenk’s venerable staging of Strauss’s intimate melodrama.

****1

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David Larkin

David Larkin is a Senior Lecturer in Musicology at the University of Sydney, where he specialises in nineteenth-century music. Educated at Dublin and Cambridge, he has published on the music of Richard Strauss, Liszt and Wagner. As a reviewer, he has reported from the Bayreuth Festival and reviewed opera and concert performances in four different countries. He gives regular pre-concert talks and educational lectures at venues all around Sydney and enjoys singing with choirs and playing the piano (in private).