Musical excellence mired by stale production in the Met's Don Carlos

Par Ako Imamura, 01 mars 2022

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“Matthew Polenzani’s lyrical tenor is perfect for the title role”

Critique faite à Lincoln Center: Metropolitan Opera House, New York, le 28 février 2022

Verdi, Don Carlo(s) (French version, 5 acts)

Metropolitan Opera

Yannick Nézet-Séguin, Direction

Sir David McVicar, Mise en scène

Charles Edwards, Décors

Brigitte Reiffenstuel, Costumes

Adam Silverman, Lumières

The Metropolitan Opera Orchestra

The Metropolitan Opera Chorus

Sonya Yoncheva, Elisabeth de Valois

Matthew Polenzani, Don Carlos

Étienne Dupuis, Rodrigo, Marchese di Posa

Eric Owens, Philippe II

John Relyea, Il Grande Inquisitore

Jamie Barton, La Principessa Eboli

Matthew Rose, Un moine

Mei Gui Zhang, Thibault

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Ako Imamura

Atsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to ﬁnance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.

Musical excellence mired by stale new McVicar production in the Met's first French Don Carlos