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Il borgomastro di Saardam: Donizetti's opera buffa revived in Bergamo

Par Renato Verga, 27 novembre 2017
Chargement en cours, veuillez patienter...
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“rich pages of bel canto agility and coloratura, impeccably performed by Irina Dubrovskaya”
Critique faite à Teatro Sociale, Bergamo, le 26 novembre 2017
Programme
Donizetti, Il borgomastro di Saardam
Artistes
Fondazione Donizetti
Roberto Rizzi Brignoli, Direction
Davide Ferrario, Mise en scène
Francesca Bocca, Décors
Giada Masi, Costumes
Giorgio Caoduro, The Tsar (Peter the Great)
Juan Francisco Gatell, Pietro Flimann
Andrea Concetti, Timoteo Spaccafronna
Irina Dubrovskaya, Marietta
Aya Wakizono, Carlotta
Pietro Di Bianco, Leforte
Voir plus de critiques Opéra
Shipwrecked: Donizetti’s Il furioso comes a cropper in Bergamo
Mark Pullinger, 16th November
Manuel Renga’s sensitive framing device sets up a sympathetic production of a problematic opera, but is scuppered by the central vocal performance.
***11
At Donizetti Opera Festival: farces flop, young singers impress
Mark Pullinger, 15th November
Il campanello and Deux Hommes et une femme bomb at the Donizetti Opera festival, but the young singers of the Bottega Donizetti – and wily old hand Alessandro Corbelli – impress.
***11
Donizetti’s Caterina Cornaro given a controversial update in Bergamo
Mark Pullinger, 14th November
Francesco Micheli reimagines Caterina Cornaro in a contemporary setting, switching to the historical past, to open this year’s Donizetti Opera festival in the composer’s home town.
****1
Young Sicilian soprano grabs the limelight in Bergamo Don Pasquale
Mark Pullinger, 17th November
They came for Javier Camarena, but cheered Giulia Mazzola to the rafters of the Teatro Donizetti as the third production of this year's festival opens. 
***11
A modern makeover for Donizetti’s Zoraida di Granata
Mark Pullinger, 16th November
Bruno Ravella's effective production was seen in Wexford in its original 1822 version, but Donizetti Opera opts for the composer's 1824 revision, throwing the spotlight onto Cecilia Molinari's excellent Abenamet. 
***11
Tudor history, gothic thrills: Roberto Devereux in Bergamo
Mark Pullinger, 15th November
Is Roberto Devereux the finest of Donizetti's four Tudor operas? Stephen Langridge's stylish, stylised production and a wonderful cast under Riccardo Frizza make a great case for it. 
****1
Plus de critiques...
Lire critiques de
Andrea ConcettiAya WakizonoFondazione DonizettiGaetano DonizettiGiada MasiGiorgio CaoduroJuan Francisco GatellPietro Di BiancoRoberto Rizzi Brignoli
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Renato Verga
Renato Verga
Renato graduated from Turin University in Physics. He has always had a particular passion for music and the stage. A former member of a choir, he was raised in the musical milieu influenced by the eminent Italian musicologist Massimo Mila. In 2014, Renato started his own blog, which now has 1000 posts.