Bachtrack logo
Agenda
Tous les spectaclesConcertsOpéraDanseEnfantsMaster classesConcoursFestivals
Critiques
Toutes les critiquesCritiques concertCritiques opéraCritiques danse
Articles
Tous les articlesDossiersInterviewsOpinionPlaylist
Actualités
Vidéo
Accueil VidéoTous les vidéosStreamingConcertsOpéraDanseEnfantsMaster classesÉditeurs
Site
À proposNous contacterRenvoi vers notre siteConditions d'utilisationCookiesConfidentialité
Jeunes artistes
Voyage
AgendaCritiquesArticlesVidéo

Glyndebourne's Billy Budd in New York

Par David Allen, 10 février 2014
Chargement en cours, veuillez patienter...
Voir le listing complet
Critique faite à BAM: Howard Gilman Opera House, New York, le 7 février 2014
Programme
Britten, Billy Budd
Artistes
Glyndebourne Festival Opera
Sir Mark Elder, Direction
Mark Padmore, Captain Vere
Michael Grandage, Mise en scène
London Philharmonic Orchestra
Jacques Imbrailo, Billy Budd
The Glyndebourne Chorus
Brindley Sherratt, John Claggart
Duncan Rock, Baryton
Peter Gijsbertsen, Novice
Daniel Norman, Red Whiskers
Colin Judson, Squeak
Richard Mosley-Evans, Bosun
John Moore, Donald
Darren Jeffery, Lieutenant Ratcliffe
Jeremy White, Dansker
David Soar, Mr Flint
Stephen Gadd, Mr Redburn
Voir plus de critiques Opéra
Glyndebourne revives Michieletto’s Kátya Kabanová
Mark Valencia, 3rd August
Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates. 
***11
All the world’s a jest: Falstaff returns to Glyndebourne
Mark Pullinger, 23rd July
Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh. 
***11
A strong new Figaro opens at Glyndebourne
Dominic Lowe, 29th June
Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.
****1
Glyndebourne's Saul still packs a punch 10 years on
Nick Boston, 8th June
Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.
*****
Unhurried suspense in a very English Parsifal
Peter Quantrill, 17th May
Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong. 
****1
Glyndebourne’s season opens with Rossini’s Barber of Seville
David Karlin, 16th May
Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.
*****
Plus de critiques...
Lire critiques de
Benjamin BrittenBilly BuddBrindley SherrattColin JudsonDaniel NormanDarren JefferyDavid SoarDuncan RockGlyndebourne Festival OperaJacques ImbrailoJeremy WhiteJohn MooreLondon Philharmonic OrchestraMark PadmoreMichael GrandagePeter GijsbertsenRichard Mosley-EvansSir Mark ElderStephen GaddThe Glyndebourne Chorus
Articles connexes
Loading image...
Ben Glassberg, sa dépression et son retour à la musique
Loading image...
De la Monnaie à Colmar : Alain Altinoglu, bon prophète en ses pays
Loading image...
L’envol du phénix : Samy Rachid, du Quatuor Arod au Boston Symphony
Loading image...
Farrenc, Grandval, Holmès : le Palazzetto Bru Zane remet trois compositrices en lumière
David Allen
David Allen
David is a PhD student at Columbia University, where he studies international history. A lapsed pianist and organist, he writes on concerts on both sides of the Atlantic, and blogs at Unpredictable Inevitability.