Survivor guilt: Fedora at the Teatro Carlo Felice

Par Courtney Smith, 24 avril 2015

Chargement en cours, veuillez patienter...

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Critique faite à Teatro Carlo Felice, Genoa, le 25 mars 2015

Giordano, Fedora

Valerio Galli, Direction

Rosetta Cucchi, Mise en scène

Claudia Pernigotti, Costumes

Tiziano Santi, Décors

Daniela Dessì, Princesse Fedora Romazov

Fabio Armiliato, Comte Loris Ipanov

Alfonso Antoniozzi, De Siriex

Daria Kovalenko, Comtesse Olga Sukarev

Margherita Rotondi, Dimitri

Alessandro Fantoni, Baron Rouvel

Manuel Pierattelli, Désiré

Claudio Ottino, Borov

Luigi Roni, Cirillo

Davide Mura, Loreck

Roberto Maietta, Gretch

Luca Alberti, Il vecchio Loris

Orchestra dell'Opera Carlo Felice Genova

Coro dell'Opera Carlo Felice Genova

From Priscilla to Pappataci: L’italiana in Algeri in drag at the ROF

Laura Servidei, 12th August

Rosetta Cucchi jumps on the bandwagon with a shallow production of L’italiana in Algeri, although Daniela Barcellona’s charisma and vocal prowess dominates the scene.

***11

Marco Tutino's Two Women at Wexford Festival Opera

Andrew Larkin, 26th October

Artistic Director Rosetta Cucchi makes a compelling case for Marco Tutino's impassioned opera on the horrors of war from a woman's perspective.

****1

Natalie Aroyan saves opening night of Adriana Lecouvreur in Sydney

Jeremy Eccles, 20th February

The Armenian-Australian soprano steps in for an indisposed Ermonela Jaho in Rosetta Cucchi's staging of Cilea's verismo masterpiece.

****1

The other Otello: Rosetta Cucchi delivers a powerful staging in Pesaro

Mark Pullinger, 11th August

Rossini's Otello is rarely performed, mainly due to its three demanding tenor roles, but the Rossini Opera Festival delivers a knockout, both vocally and emotionally.

*****

Scarlatti's Griselda at Martina Franca

Lorenzo Fiorito, 29th July

A swan song of the early Baroque opera seria, Scarlatti's final opera flourishes at a festival that specialises in rarely performed works.

****1

The resurrection of an opera: Alfano's Risurrezione in Florence

Renato Verga, 19th January

Risurrezione is a work whose value is to be found more in the orchestra than in the vocal lines, a peculiar thing for an Italian opera belonging to an epoch that gloried in enticing melodies.

***11

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Courtney Smith

Courtney Smith is an American freelance journalist living in Milan, Italy. On classical music and opera, she's written for the BBC Music Magazine, Opera Now, Opera News, Corriere della Sera Style Magazine, Auditorium, Limelight and Classical Singer. She's written in-house for classical music organizations such as The New York Philharmonic and the Royal Opera House's blog. On luxury, fashion and beauty, she's written for The Wall Street Journal, Women's Wear Daily, Grazia.it and W Magazine's Editors' Blog. She's written in-house for brands such as Calvin Klein.