A wild and crazy day at Boston Lyric Opera

Par Kevin Wells, 02 mai 2017

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“The Count is the epitome of the slick lounge lizard in his loud smoking and white dinner jackets”

Critique faite à John Hancock Hall, Boston, le 28 avril 2017

Mozart, Les Noces de Figaro (Le nozze di Figaro)

Boston Lyric Opera

David Angus, Direction

Rosetta Cucchi, Mise en scène

John Conklin, Décors

Gail Astrid Buckley, Costumes

David Pershall, le Comte Almaviva

Nicole Heaston, la Comtesse Almaviva

Evan Hughes, Figaro

Emily Birsan, Suzanne (Susanna)

Emily Fons, Chérubin (Cherubino)

David Cushing, le docteur Bartolo

Michelle Trainor, Marceline (Marcellina)

Brad Raymond, Don Curzio

Matthew Dibattista, Don Basilio

Simon Dyer, Antonio

Sara Womble, Barberine (Barbarina)

Felicia Gavilanes, First Bridesmaid

Emma Sorenson, Second Bridesmaid

Boston Lyric Opera’s Macbeth is hobbled by miscalculations

Kevin Wells, 10th October

David Angus leads a taut, spirited performance, but Steve Maler’s staging of Verdi's first Shakespearean opera raises many questions.

**111

Korngold’s Die tote Stadt, more alive than ever in Boston

Cameron Kelsall, 30th January

The composer's magnum opus, unjustly neglected in English-speaking countries, receives magnificent treatment from Andris Nelsons and the Boston Symphony Orchestra, anchored by David Butt Philip and Christine Goerke.

*****

Flawed staging, compelling singing: Eurydice at Boston Lyric Opera

Kevin Wells, 10th March

Conducting a reduced version of his own opera, Matthew Aucoin's Eurydice still packs a big punch.

***11

Beantown rags to riches: BLO’s Cenerentola an unalloyed delight

Kevin Wells, 12th November

Impeccable ensemble work in Dawn M Simmons' first foray into opera.

*****

Harrowing intimacy: Boston Lyric Opera’s Bluebeard’s Castle

Kevin Wells, 26th March

Boston Lyric Opera decamps to a 1919 wharf shed for a production of Bartók's eerie two-hander, framed by four of Alma Mahler's songs.

****1

Merrily We Roll Puccini: Boston Lyric presents Bohème in reverse

Kevin Wells, 30th September

Yuval Sharon’s production of La bohème turns the opera upside down... with captivating consequences.

****1

Plus de critiques...

Kevin Wells

Kevin Wells was bitten by the opera bug at 10, having heard a 1936 recording of Jussi Björling singing “Che gelida manina”. He has never been the same since. A student of voice, performance practice, the history of singing and opera, he holds advanced degrees in Italian and has lived and worked in Italy off and on since the 70s. La Scala became a second home as the Met had been during college daze. Now in his native Boston, he works as translator, tutor, and language coach, haunts Symphony Hall, and would haunt the Opera House had it not been demolished in 1958!

A wild and crazy day: Le nozze di Figaro at Boston Lyric Opera