"Maybe he's immortal?": Frans Brüggen memorial concert

Par Cynthia Wilson, 25 octobre 2014

Chargement en cours, veuillez patienter...

Voir le listing complet

Critique faite à TivoliVredenburg: Grote Zaal, Utrecht, le 24 octobre 2014

Bach, Was willst du dich betrueben - Cantata, BWV107 (Chorale: Herr, gib, dass ik dein’ Ehre)

Mozart, Messe no. 18 en ut mineur « La Grande », K427 (K417a)

Chopin, Concerto pour piano no. 2 en fa mineur, Op. 21

Mozart, Symphonie no. 41 en ut majeur «Jupiter», K551

Orchestre du XVIIIe siècle

Cappella Amsterdam

Janusz Olejniczak, Piano

Ilse Eerens, Soprano

Rosanne van Sandwijk, Mezzo-soprano

Jan Kobow, Ténor

Requiem aux Sommets : Reuss et le XVIIIe siècle comme chez eux

Tristan Labouret, 6th February

Le chef-d'œuvre de Mozart a bénéficié d'une interprétation de toute beauté aux Sommets musicaux de Gstaad, avec l'Ensemble Vocal de Lausanne et l'Orchestre du XVIIIe siècle.

****1

Kleine Welt, große Musik: Haydn und Mozart mit dem Orchestra18c

Jens Klier, 5th April

Viel Verbindung in einem Kernrepertoire-Konzert von Ensemble, Dirigent Lehmann, Sopransolistin Dain und Pianist Ablogin, an dessen Ende die Komponisten aus dem Himmel durchklingelten?

****1

Toxic masculinity in Orchestra of the 18th century's Don Giovanni

Nicolas Nguyen, 15th October

The Orchestra of the 18th Century proves the main asset of a rewarding Don Giovanni at the Amsterdam Concertgebouw.

***11

Paula Murrihy a fantastic Sesto in Concertgebouw Clemenza

Nicolas Nguyen, 18th October

Kenneth Montgomery leads the Orchestra of the 18th Century and a fine team of young soloists in a swift, finely detailed interpretation of La clemenza di Tito.

****1

A blast from the past: Orchestra of the 18th century

Andrew Larkin, 29th November

Finghin Collins and Rosanne van Sandwijk shine as soloists while the Orchestra of the 18th Century was as authoritative as ever under the baton of Kenneth Montgomery.

****1

Prim but not so proper: Così in Amsterdam

Jenny Camilleri, 26th August

A winning young cast discovers that all's not well that ends well in the Orchestra of the Eighteenth Century’s virtuosic Così fan tutte at the Royal Theatre Carré in Amsterdam.

****1

Plus de critiques...

Cynthia Wilson

Boston-born, educated at Concord Academy and Sarah Lawrence College, Cynthia Wilson studied harpsichord in Amsterdam. She has performed, taught and held significant management positions: public radio, Philips Hall, Rotterdam Philharmonic. Wilson subsequently founded wwclassics: (arts) policy and (events) production. She recently published the biography of Menahem Pressler (Beaux Arts Trio).