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A grande bouffe of early music at the spectacular Rundāle Palace

Par Jonathan Sutherland, 11 juillet 2016
Chargement en cours, veuillez patienter...
Voir le listing complet
Critique faite à Rundāle Palace: White Hall, Rundāle, le 9 juillet 2016
Programme
Vivaldi, Concerto pour luth et 2 violons en ré majeur, RV 93
Bach, Harpsichord Concerto No.1 in D minor, BWV 1052
Corrette, Musette de cour
Rameau, Les Indes galantes
Pergolesi, Violin Concerto in B flat major
Artistes
Orchestra Coin du Roi
Christian Frattima, Direction
Voir plus de critiques Concert
A meticulous musical makeover in Riga
Jonathan Sutherland, 7th July
Almost all the singers, orchestra and conductor were Italian, but it was local soprano Elīna Šimkus and the Latvian Radio Choir who sang Purcell’s magnum opus as if to the English manner born.
***11
Baroque rarities rapturously received in Riga
Jonathan Sutherland, 8th July
Local soprano Elīna Šimkus was a fascinating combination of Farinelli and Emma Kirkby.
***11
A meticulous musical makeover in Riga
Jonathan Sutherland, 7th July
Almost all the singers, orchestra and conductor were Italian, but it was local soprano Elīna Šimkus and the Latvian Radio Choir who sang Purcell’s magnum opus as if to the English manner born.
***11
Baroque rarities rapturously received in Riga
Jonathan Sutherland, 8th July
Local soprano Elīna Šimkus was a fascinating combination of Farinelli and Emma Kirkby.
***11
Coin du Roi’s Serse in Milan's Teatro Litta
Courtney Smith, 29th May
"Grab ’em by the throat and never let ’em go!" goes the famous quote by legendary Hollywood director Billy Wilder – Sunset Boulevard, Some like it Hot, and Double Indemnity among his masterpieces – who regularly dispensed stellar advice to aspiring, young writers. Unlike good screenwriting, opera’s blood and thunder decree doesn’t need much coaching to bare its jugular.
***11
Siegfried et l’art du chant au Théâtre des Champs-Élysées
Pierre Michel, 19th April
Pour ce troisième volet du Ring proposé en version de concert par Yannick Nézet-Séguin et l'Orchestre philharmonique de Rotterdam, c'est le plateau vocal qui brille avant tout, éclipsant l'orchestre et le chef.
***11
Plus de critiques...
Lire critiques de
Antonio VivaldiChristian FrattimaConcerto pour clavier no. 1 en ré mineur, BWV1052Concerto pour luth et 2 violons en ré majeur, RV 93Giovanni Battista PergolesiJean-Philippe RameauJohann Sebastian BachLes Indes galantesMichel CorretteOrchestra Coin du Roi
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Jonathan Sutherland
Jonathan Sutherland
Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.