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“Bullock thrived in music with ties to the American Roots tradition”
Critique faite à Kimmel Center, Perelman Theater, Philadelphia, le 11 janvier 2024
Barber, Despite and Still, Op.41: My Lizard
Barber, Nuvoletta
Barber, The Daisies, Op.2 no.1
Converse, Talkin Like You (arr. Brown)
Converse, I Have Considered the Lilies (arr. Brown)
Poulenc, Les Mamelles de Tirésias: Non, Monsieur mon mari
Weill, Complainte de la Seine
Weill, Die Muschel von Margate: Petroleum
Poulenc, Fiançailles pour rire, FP 101: Mon cadavre est doux comme un gant
Weill, Das Berliner Requiem: Die Ballade vom ertrunkenen Mädchen
Weill, Lady in the dark: The Princess of Pure Delight
Weill, Das Lied von der harten Nuss
Strauss R., Drei Lieder der Ophelia, Op.67
Burleigh, Deep River
musique traditionnelle, He's Got the Whole World In His Hands (arr. Anderson)
Berg, Altenberg Lieder
Rodgers, The Sound of Music: Selection
Weill, South Pacific: Selection
Park, Happily ever after
Dylan, Masters of War
Dvořák, Goin’ Home (arr. Odetta)
Cotten, Freight Train
Cotten, When The Train Comes Along
Converse, How Sad How Lovely (arr. Brown)
Julia Bullock, Soprano
Bretton Brown, Piano
