Langrée pairs ambitious premiere with uneven Mass at Mostly Mozart

Amir ElSaffar

Two Rivers and members of the Mostly Mozart Festival Orchestra

Kate Lindsey, Erin Morley, Nicholas Phan, Summer for the City Chorus and MMFO

Par David Wolfson, 26 juillet 2023

Chargement en cours, veuillez patienter...

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“as convincing an execution of the integration of different musical worlds as I’ve heard”

Critique faite à Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York, le 25 juillet 2023

ElSaffar, Dhikra (Remembrance) (World premiere)

Mozart, Messe no. 18 en ut mineur « La Grande », K427 (K417a)

Erin Morley, Soprano

Kate Lindsey, Mezzo-soprano

Nicholas Phan, Ténor

Jonathon Adams, Baryton

Amir ElSaffar, Trompette

Mostly Mozart Festival Orchestra

Louis Langrée, Direction

Two Rivers

Hamid Al-Saadi, Voix

Summer for the City Chorus

Louis Langrée begins final week with Mostly Mozart Festival Orchestra

David Wolfson, 8th August

Langrée's incoherent but enjoyable program skips through five centuries of music history from Lully to Valerie Coleman.

***11

Contrasting halves from Mostly Mozart Orchestra and Heyward

Edward Sava-Segal, 4th August

Jessie Montgomery's 2016 Records from a Vanishing City enthralls, Barber’s Violin Concerto is exquisite; Schumann's Rhenish disappoints.

***11

In New York, Gemma New makes “Mostly Mozart” mostly magic

David Wolfson, 1st August

Gemma New makes a positive impressive in the Mostly Mozart Festival Orchestra's lively rendition of the “Prague” Symphony.

****1

Mostly Mozart Festival Orchestra offers a Requiem for itself

David Wolfson, 5th August

Amid an uncertain future for the Mostly Mozart Festival, conductor Louis Langrée led a fiery program that overflowed with rage rather than grief.

****1

Mozart and Brahms shine in a bold, romantic glow

Linda Holt, 30th July

Romanticized but highly enjoyable Mozart performances, monumental Brahms, but more gusto than tenderness characterized the program.

****1

Mostly Mozart: Bartók, Vivaldi and... Scandinavian folk music?

David Wolfson, 27th July

The idea of reframing a warhorse of the classical repertory isn't a bad one. Theatre and opera goers have their modern-dress versions of Shakespeare and Mozart. Why not try it with Vivaldi?

***11

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David Wolfson

David Wolfson holds a PhD in composition from Rutgers University, and has taught at Rutgers University, Montclair State University and Hunter College. He is enjoying an eclectic career, having composed opera, musical theatre, touring children’s musicals, and incidental music for plays; choral music, band music, orchestral music, chamber music, art songs, and music for solo piano; comedy songs, cabaret songs and one memorable score for an amusement park big-headed-costumed-character show. You can find more information here.

Langrée pairs ambitious premiere with uneven Mass in C minor at Mostly Mozart