Mark Morris Dance Group presents Mozart Dances in Madrid

Par Cristina de Lucas, 02 janvier 2013

Chargement en cours, veuillez patienter...

Voir le listing complet

Critique faite à Teatro Real: Sala Principal, Madrid, le 30 décembre 2012

Mozart Dances (Mark Morris)

Mark Morris Dance Group

Orquesta Sinfónica de Madrid

Dame Jane Glover, Direction

Emanuel Ax, Piano

Yoko Nozaki, Piano

Mark Morris’ luminous, whimsical Moon lands in Brooklyn

Carla Escoda, 26th March

Commissioned by Washington DC's Kennedy Center in the before-times, Mark Morris' Moon lands more ominously today than it surely did when it was conceived. But it still radiates joy.

*****

The dance is not going away party: Mark Morris’ new Northwest

Carla Escoda, 22nd July

Mark Morris Dance Group’s second week at the Joyce Theater in New York unveiled a world premiere in a mixed bill that represented a narrow range of Morris’ dazzling creativity.

***11

Dancers come and go, The Hard Nut fresh as ever

Carla Escoda, 12th December

It's 33 years since its premiere in Brussels, and in its eighth season in New York at the Brooklyn Academy of Music, this irreverent American classic is still firing on all cylinders.

*****

Mark Morris’ dance-intensive Orfeo ed Euridice returns to the Met

Susan Stempleski, 16th May

The latest revival of the company’s 2007 stylish production of Gluck’s operatic take on the Orpheus myth is enlivened with superb singing and dancing.

*****

Kansas City Ballet: Barminess in Bliss Point

Hilary Stroh, 12th May

Alexander Ekman's Cacti is the zany highlight of the evening!

*****

Visions of Classical (Re)Vision in San Francisco

Jaime Robles, 11th February

“Your love affair with ballet, your time with ballet, is short,” explains Welsh about his ballet Bespoke, “Eventually you lay down, and dance keeps moving. It’s a bittersweet thing.”

****1

Plus de critiques...

Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.