Jaap van Zweden and the Seoul Philharmonic’s measured Mahler 6

The Seoul Philharmonic Orchestra

Jaap van Zweden conducts the Seoul Philharmonic Orchestra

Par SangKwon Lee, 20 mars 2026

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“Mahler’s hero did not simply vanish; he knew exactly what had been lost.”

Critique faite à Lotte Concert Hall, Seoul, le 19 mars 2026

Mahler, Symphonie no. 6 en la mineur «Tragique»

Jaap van Zweden, Direction

Seoul Philharmonic Orchestra

Rhetoric over romance in Nikolai Lugansky's Chopin in Seoul

SangKwon Lee, 12th February

Ludovic Morlot conducts the Seoul Philharmonic Orchestra in three classics from the Romantic era: Berlioz, Chopin and Schumann.

***11

Jaap van Zweden tests Beethoven 9 in Seoul

SangKwon Lee, 18th December

At the Seoul Arts Center, Jaap van Zweden treats Beethoven’s disputed metronome marks less as provocation than instruction, trading bloom for voltage in a driven Beethoven Ninth Symphony.

**111

Jaap van Zweden and the Seoul Philharmonic impress on US tour

Susan Stempleski, 27th October

In their first visit to the US in over a decade, the Seoul Philharmonic display their abundant skills in a crowd-pleasing program pairing two concert staples with an impressive American premiere.

****1

Jaap van Zweden and the Seoul Philharmonic prepare for their US tour

SangKwon Lee, 1st October

The Seoul Philharmonic preview their forthcoming US-tour programme, featuring Bomsori Kim playing Mendelssohn’s Violin Concerto.

****1

Line, rhythm and spectrum: Jaap van Zweden and the Seoul Philharmonic

SangKwon Lee, 26th September

As a pre‑tour snapshot, this concert proves was unambiguous: an orchestra intent on renewing the canon in the language of now rather than sealing it behind glass.

****1

Sculpted silences: Britten and Brahms under Jaap van Zweden in Seoul

SangKwon Lee, 20th June

From the very first bars of Britten’s Violin Concerto, Augustin Hadelich impresses in Britten's Violin Concerto, yet Jaap van Zweden's Brahms 4 appears misaligned.

***11

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SangKwon Lee

SangKwon Lee is a Seoul-based classical music critic whose writing focuses on concert performances and recordings. A contributor to Gramophone and a member of the Music Critics Association of North America, he covers the classical music scene in Korea and internationally.