All about Klaus: Mäkelä debuts with the NY Phil

Klaus Mäkelä conducts the New York Philharmonic

The New York Philharmonic percussion

Par Kevin W Ng, 09 décembre 2022

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“the best Pathétique I’ve heard in years”

Critique faite à Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York, le 8 décembre 2022

López Bellido, Perú Negro

Chostakovitch, Symphonie no. 6 en si mineur, Op.54

Tchaïkovski, Symphonie no. 6 en si mineur, «Pathétique», Op.74

Klaus Mäkelä, Direction

New York Philharmonic

À New York, Daniil Trifonov réinvente le Concerto de Schumann

Jean-Pierre Rousseau, 12th October

Au côté du New York Philharmonic, le pianiste russe propose une interprétation extraordinairement riche de l'œuvre de Schumann. Sous la direction de Mirga Gražinytė-Tyla, la partie symphonique du programme a moins convaincu.

***11

Le New York Philharmonic à Paris

Christophe Dilys, 26th April

Programme de musiques de danse interprété par le New York Philharmonic : Stravinsky, Debussy et Bartók pour un dimanche après-midi parfait !

*****

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Susan Stempleski, 29th January

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

****1

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Kevin W Ng

Kevin writes about music and culture, with a focus on opera. Originally trained as a violinist, he has a particular interest in 20th-century music. He is currently based in New York City.