Stumbling towards the chopping block: Maria Stuarda in Budapest

Orsolya Sáfár (Maria Stuarda)

Gabriella Balga (Elisabetta)

Maria Stuarda

Juraj Hollý (Leicester) and Orsolya Sáfar (Maria Stuarda)

Par Orsolya Gyárfás, 15 mai 2025

Chargement en cours, veuillez patienter...

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“every inch the proud queen, fierce in her wounded jealousy, unrelenting in her hatred”

Critique faite à Hungarian State Opera: Auditorium, Budapest, le 14 mai 2025

Donizetti, Maria Stuarda

Opéra d'État hongrois

Martin Rajna, Direction

Kálmán Szennai, Direction

Máté Szabó, Mise en scène

Csaba Antal, Décors

Anni Füzér, Costumes

Csaba Szilárdi, Lumières

Orchestre de l'Opéra d'État hongrois

Chœurs de l'Opéra d'État hongrois

Zsombor Czeglédi, Vidéaste

Enikő Perczel, Dramaturgie

Orsolya Sáfár, Maria Stuarda

Gabriella Balga, Elisabetta

Juraj Hollý, Earl of Leicester

Melinda Heiter, Anna

Norbert Balázs, Cecil

István Kovács, Talbot

Gergely Csanád Kováts, Chorégraphie

Budapest accueille ses Enfants terribles

Suzanne Lay-Canessa, 13th November

Jean Cocteau rencontre Philip Glass à l'Opéra d'État hongrois, dans le cadre neuf de l'Eiffel Art Studios, et cette production des Enfants terribles se déroule à un tempo infernal !

****1

All that glitters is not gold in Budapest's new Lohengrin

Orsolya Gyárfás, 16th November

Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.

**111

A thrilling, opulent La Bayadère at Hungarian National Ballet

Gianmarco Segato, 14th June

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act.

*****

Visually splendid, dramatically parched La Gioconda in Budapest

Gianmarco Segato, 11th June

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation.

***11

Hungarian National Ballet: a tremendously witty Merry Widow

Deborah Weiss, 12th February

Hungarian National Ballet strike a delightful balance between lighthearted comedy and technical assurance in Ronald Hynd's The Merry Widow.

****1

A promising class: 6th Éva Marton Competition grand final

Orsolya Gyárfás, 7th September

In its tenth year and going strong, the biennial Éva Marton International Singing Competition fields an even level of talent in an entertaining finale.

Plus de critiques...

Orsolya Gyárfás

A university student in Budapest, currently pursuing a degree in Aesthetics, Orsolya is an opera fan, particularly interested in the works of Mozart and Wagner.

Stumbling towards the chopping block: Maria Stuarda premieres in Budapest