James Levine and Met Opera Orchestra in all-Dvořák program at Carnegie Hall

Par Rebecca Lentjes, 13 mai 2014

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Critique faite à Carnegie Hall: Stern Auditorium, New York, le 11 mai 2014

Dvořák, Ouverture Carnaval, Op.92

Dvořák, Symphonie no. 7 en ré mineur, Op.70

Dvořák, Concerto pour violoncelle en si mineur, Op.104

The Metropolitan Opera Orchestra

James Levine, Direction, Direction musicale

La classe américaine : The Met Orchestra et Yannick Nézet-Séguin

Tristan Labouret, 27th June

En deux jours, avec des programmes associant pages symphoniques et extraits d'œuvres lyriques, l'orchestre new-yorkais a montré son art et ses singularités au public parisien, 22 ans après sa dernière venue en France.

****1

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Met Orchestra brings a long neglected symphony back to life

Susan Stempleski, 4th February

William Levi Dawson’s Negro Folk Symphony, overlooked for decades, heads an all-American program of 20th-century works in New York.

****1

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

Susan Stempleski, 31st December

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

Porgy and Bess returns stronger than ever at the Met

Robert Levine, 7th December

Back to Catfish Row for another revival of The Gershwins’ Porgy and Bess and James Robinson’s show continue to wow our writer.

*****

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Rebecca Lentjes

Rebecca graduated from New York University in 2012, where she studied Music and Romance Languages. She now works as an assistant editor at RILM (Répertoire International de Littérature Musicale) and as manager of contemporary music collective ensemble mise-en.