Dancing a merry tune: Le nozze di Figaro at Glyndebourne

Par Dominic Lowe, 24 mai 2022

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“Emily Pogorelc’s clean soprano voice was deftly deployed in the role of Cherubino”

Critique faite à Glyndebourne Opera House, Glyndebourne, le 22 mai 2022

Mozart, Les Noces de Figaro (Le nozze di Figaro)

Glyndebourne Festival Opera

Giancarlo Andretta, Direction

Michael Grandage, Mise en scène

Christopher Oram, Décors, Costumes

Paule Constable, Lumières

London Philharmonic Orchestra

The Glyndebourne Chorus

Germán Olvera, le Comte Almaviva

Amanda Woodbury, la Comtesse Almaviva

Brandon Cedel, Figaro

Hera Hyesang Park, Suzanne (Susanna)

Emily Pogorelc, Chérubin (Cherubino)

Peter Kálmán, le docteur Bartolo

Rosie Aldridge, Marceline (Marcellina)

François Piolino, Don Basilio

Colin Judson, Don Curzio

A deli-cious revival of Rossini’s Il turco in Italia at Glyndebourne

Dominic Lowe, 23rd May

Mariame Clément’s production of Rossini's meta comedy is tightly revived with some excellent singing. Come for the writing tips, stay for the cured meats.

****1

Glyndebourne’s first Tosca: vocally strong but imperfect

David Karlin, 21st May

Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.

***11

Glyndebourne revives Michieletto’s Kátya Kabanová

Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

Plus de critiques...

Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.