Dancing a merry tune: Le nozze di Figaro at Glyndebourne

Count Almaviva (Germán Olvera) and Susanna (Hera Hyesang Park)

Cherubino (Emily Pogorelc) and Susanna (Hera Hyesang Park)

Figaro (Brandon Cedel) and Count Almaviva (Germán Olvera)

Mozart's Le nozze di Figaro

Par Dominic Lowe, 24 mai 2022

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“Emily Pogorelc’s clean soprano voice was deftly deployed in the role of Cherubino”

Critique faite à Glyndebourne Opera House, Glyndebourne, le 22 mai 2022

Mozart, Les Noces de Figaro (Le nozze di Figaro)

Glyndebourne Festival Opera

Giancarlo Andretta, Direction

Michael Grandage, Mise en scène

Christopher Oram, Décors, Costumes

Paule Constable, Lumières

London Philharmonic Orchestra

The Glyndebourne Chorus

Germán Olvera, le Comte Almaviva

Amanda Woodbury, la Comtesse Almaviva

Brandon Cedel, Figaro

Hera Hyesang Park, Suzanne (Susanna)

Emily Pogorelc, Chérubin (Cherubino)

Peter Kálmán, le docteur Bartolo

Rosie Aldridge, Marceline (Marcellina)

François Piolino, Don Basilio

Colin Judson, Don Curzio

Glyndebourne revives Michieletto’s Kátya Kabanová

Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

Unhurried suspense in a very English Parsifal

Peter Quantrill, 17th May

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.

****1

Glyndebourne’s season opens with Rossini’s Barber of Seville

David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.