The Oxford Philharmonic Orchestra and Michael Barenboim

Par Alexandra Hamilton-Ayres, 08 octobre 2015

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Critique faite à St George's Bristol, Bristol, le 7 octobre 2015

Mendelssohn, Les Hébrides (ou La Grotte de Fingal), Op.26

Mozart, Symphonie no. 40 en sol mineur, K550

Mendelssohn, Concerto pour violon et orchestre en mi mineur, Op.64

Oxford Philharmonic Orchestra

Marios Papadopoulos, Direction

Michael Barenboim, Violon

Unsatisfying Mendelssohn from Eschenbach and the Oxford Philharmonic

Patrick Maxwell, 20th March

The Oxford Philharmonic offers uninspiring renditions Bach and Mendelssohn, highlighting both the strengths and weaknesses of the orchestra under the baton of Christoph Eschenbach.

**111

Stars shine on Oxford Philharmonic's 20th anniversary concert

Roy Westbrook, 12th January

When did three such luminaries last grace the same concert, let alone the same first half?

*****

In Memoriam: Strauss and Brahms from the Soloists of the Oxford Philharmonic

Jason Weir, 11th November

Impeccable musicianship from the string soloists of the Oxford Philhamonic in stirring accounts of Brahms' String Sextet in G major and Strauss' Metamorphosen.

****1

Caprice and conviction from Oxford Phil

Roy Westbrook, 26th October

I suspect that we seek out many of the world’s great soloists beacuse we know what we will get, but we might well seek out Buniatishvili because we don’t.

***11

Last minute replacement fails to dampen enthusiasm

Aaron Davies, 6th March

Valery Gergiev's late withdrawal meant Marios Papadopoulos, music director of the Oxford Philharmonic, stepped into the Russian's shoes.

****1

Karina Canellakis skippers a French voyage

Mark Pullinger, 28th January

Oxford may well be far from the coast, but it played host to a bracing French voyage last night at the Sheldonian Theatre.

***11

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Alexandra Hamilton-Ayres

Alexandra Hamilton-Ayres is a Bristol-based film composer and classical electronic artist. Alexandra's passion in scoring and as a performer lie in the duality between the classical and electronica worlds, moving picture and her love for the piano. Her music has been described by The White Room Magazine as “majestic, at times monumental…the force and vastness of nature”.