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The Mustonen Effect: mostly sparkling Mozart from La Verdi

Par James Imam, 07 mars 2015
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Critique faite à Auditorium di Milano Fondazione Cariplo, Milan, le 6 mars 2015
Programme
Mozart, Divertimento en ré majeur, « Symphonie de Salzbourg » K136 (K125a)
Mozart, Concerto pour piano no. 26 en ré majeur « Couronnement », K537
Mozart, Serenata notturna en ré majeur, K239
Mozart, Symphonie no. 38 en ré majeur, «Prague», K504
Artistes
Orchestra Sinfonica di Milano
Olli Mustonen, Piano
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This was raw Mahler at its most all-embracing. The musicians seemed to embrace the entire world. As an audience member made to leave the hall, Axelrod leant over the balustrade to shake his hand.
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Plus de critiques...
Lire critiques de
Concerto pour piano no. 26 en ré majeur « Couronnement », K537Divertimento en ré majeur, « Symphonie de Salzbourg » K136 (K125a)Olli MustonenOrchestra Sinfonica di MilanoSerenata notturna en ré majeur, K239Symphonie no. 38 en ré majeur, «Prague», K504Wolfgang Amadeus Mozart
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James Imam
James Imam
James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.