Chloë Hanslip with Czech National Symphony Orchestra in Bristol

Par Alexandra Hamilton-Ayres, 19 novembre 2013

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Critique faite à Bristol Beacon: Beacon Hall, Bristol, le 15 novembre 2013

Dvořák, Symphonie no. 5 en fa majeur, Op.76

Bruch, Concerto pour violon no. 1 en sol mineur, Op.26

Dvořák, Symphonie no. 7 en ré mineur, Op.70

Libor Pešek, Direction

Chloë Hanslip, Violon

Czech National Symphony Orchestra

An online Beethovenathon: all nine symphonies across Europe in one day

Alexander Hall, 6th June

An all-day Beethoven experience European style with both highs and lows: much diversity revealed and exploited but of variable quality.

***11

Barry Douglas majestic with below par Czech NSO

Mark Thomas, 18th April

An imperious Barry Douglas provided a magisterial Emperor Concerto in an otherwise disappointing concert from the Czech National Symphony Orchestra.

**111

Magnificent Pavel Kolesnikov outshines the CNSO

Elisabeth Schwarz, 16th April

Pavel Kolesnikov was at the heart and soul of a disappointing concert by the touring Czech orchestra.

**111

Stately Dvořák from the Czech National Symphony

Dominic Lowe, 9th November

An impressive performance from cellist Natalie Clein in Dvořák’s Cello Concerto did much to alleviate the woes of the real world.

***11

Stately Dvořák from the Czech National Symphony

Dominic Lowe, 9th November

An impressive performance from cellist Natalie Clein in Dvořák’s Cello Concerto did much to alleviate the woes of the real world.

***11

Joseph Young makes his UK debut in music of his homeland

Leighton Jones, 16th January

An exceptional programme with insight, didn’t quite fulfil itself with renditions that had understanding, but lacked a little polish and refinement.

***11

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Alexandra Hamilton-Ayres

Alexandra Hamilton-Ayres is a Bristol-based film composer and classical electronic artist. Alexandra's passion in scoring and as a performer lie in the duality between the classical and electronica worlds, moving picture and her love for the piano. Her music has been described by The White Room Magazine as “majestic, at times monumental…the force and vastness of nature”.