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Heureuse soirée de musique de chambre dans le cadre du 18e Août musical de Deauville, avec les interprétations éveillées de Pierre Fouchenneret, Guillaume Bellom, Lise Berthaud, Amaury Viduvier, Ismaël Margain et Yan Levionnois.

À la Maison de la Radio, l'Orchestre National de France dirigé par Marin Aslop interprétait La Lame des heures de Jean-Baptiste Robin, avant le Concerto pour violon de Bruch par Kristóf Baráti et la Symphonie n° 7 de Chostakovitch.

Semyon Bychkov dirige le Concertgebouw d'Amsterdam : avec un Concerto pour deux pianos de Bruch en première partie avec Katia et Marielle Labèque, c'est surtout la Symphonie n°5 de Chostakovich que l'on retiendra de ce concert.

Au programme de ce "concert de minuit" du festival Enescu : Misha Masky et la Philharmonie de chambre de Saint-Pétersbourg dans des pièces d'Enescu, Tchaïkovsky, Bruch et Mendelssohn. Concert assez mitigé, avec un orchestre qui manque de caractère et un violoncelliste qui malgré toutes ses qualités indéniables manque de justesse.

Le programme du concert de rentrée du Philar' semblait réglé comme du papier à musique. Dommage que la routine triomphe dans le Concerto, où Renaud Capuçon s’égare dans une gestuelle qui perd le public et oublie le compositeur.

Le Festival de Colmar s'est achevé le 14 juillet par un concert où deux motifs, « violon », « Amérique », venaient conclure de manière pertinente 10 journées consacrées à la mémoire de Jascha Heifetz.

Très belle soirée en compagnie de l'OPS et du violoniste virtuose Daniel Hope.

Le programme de la saison musicale à Mulhouse s'est enrichi le 12 novembre d'un nouveau concert. L'orchestre symphonique de Mulhouse sous la direction de Patrick Davin était associé à des invités qui comptent. Le compositeur allemand  Johannes Schöllhorn, les Neue Vocalsolisten de Stuttgart, enfin le violoniste Nemanja Radulovic dont l'originalité le dispute à la virtuosité.

Au programme de cette soirée où l’ONL et Leonard Slatkin ont invité Joshua Bell, des escales dans des univers de douceurs ou de puissances, toujours contrastés et aux influences celtique et dansante.

Die Münchner Symphoniker verbinden bei ihrer Kammermusikreihe „Sommermusik” leichte und ernste Musik und das klappt überraschend gut.

Yoel Levi and Pinchas Zukerman perform Bruch's gorgeous Violin Concerto with the Atlanta Symphony Orchestra.

Music is the ultimate universal language, here reflected in the latest Chineke! programme offering playing of richness and vitality.

Tasmin Little's farewell tour yields memorable Bruch in Singapore, with the Singapore Symphony Orchestra led by Gerard Schwarz.

Gianandrea Noseda proves his Russian credentials with a nerve-shredding, volatile account of Tchaikovsky's Fifth Symphony. 

Die Bamberger Symphoniker lieferten mit Elgars Erster Symphonie ein zuckersüßes Icing auf dem Straussschen Horn-Konzert.

Unter der Leitung von Valery Gergiev sowie Solistin Janine Jansen beeindrucken die Münchner mit einem filmisch anmutenden Programm.

A new professional orchestra launches first full season in Sheffield.

A wonderful performance of all the works Berlioz, Bruch and Schumann, but it was the young violinist Lozakovich who stole the show. 

Einen bunten Mix an Werken und vor allem grandiose 25 Minuten Britten bietet das Orchester unter Gianandrea Noseda.

Eleven conductors get to strut their stuff in an eclectic programme in Pärnu. 

Coupling a rare but underwhelming concerto by Max Bruch with Strauss's polychrome orchestral showpiece, the program with Semyon Bychkov and the sisters Labèque accentuated superlative musicianship.

Vasily Petrenko conducts Zemlinsky, Mendelssohn and Bruch in Liverpool.

Chen plays a fine solo part in Bruch and delights with his encore; Orozco-Estrada and the LPO provide some good moments but fall short of their best form.

Gabor Takács-Nagy conducts the Manchester Camerata in Mendelssohn, Bruch and Schumann

Opening their season’s residency in their London home with the theme of “German Romantics”, Wigmore Hall was plunged into an autumnal glow.

The audience responded as if they were hearing the Symphony for the first time. They were overwhelmed and let the musicians know it. Good start to the home stand.

Assured and mostly rewarding performances from the RPO in standard fare that underlined Bruch’s nobility, Elgar’s masterly orchestration and the originality of Sibelius. 

Scotch snap aplenty in evening of “Scottish Fantasy” with Hong Kong Philharmonic. 

They hung over the fronts of their seats waiting for each movement to begin; they were silent, immovable once the music started. When the music stopped they exploded with joy. 

Julius Drake, Krzysztof Chorzelski and Mark Padmore contributed their notable gifts of piano, viola and voice respectively in a very special, often heartfelt fundraising evening for two music education charities. 

In the sublime funeral march of the Larghetto Elder set a daringly slow tempo, producing a cumulative, sorrowing eloquence as each LSO section tossed its melodic tribute on to the passing cortège.

Jansen is an artist of such great musicianship that she was able to instill new life to Bruch's First Violin Concerto.

We were drenched in all sorts of dreams about Scotland as the Philadelphia Orchetra celebrated the country in their British Isles Festival

In einer sehr ausgefeilten farbigen Interpretation von Mahlers Erster Symphonie setzte Chefdirigent Gatti die bedeutende Mahlertradition des Royal Concertgebouw Orchesters fort.

Paroxysmal energy of the Vancouver Symphony in Beethoven's Fifth Symphony

An enterprising programme combined a striking WWI commemoration from Mark-Anthony Turnage with sumptuous ballet suites from Prokofiev and Ravel, with Nikolaj Znaider rhapsodic in Bruch.

Berlin Philharmonic cellists combine with Turkish counterparts for a dazzling performance in Istanbul.

Los solistas de la Orquesta Nacional dirigida por David Afkham se mostraron impecables en las intervenciones de la Décima de Shostakovich, y uno por uno, recibieron el merecido reconocimiento del maestro alemán.

Valery Gergiev's late withdrawal meant Marios Papadopoulos, music director of the Oxford Philharmonic, stepped into the Russian's shoes. 

The Bamberg sound remains particularly noticeable in the unanimity and broad, rich beauty of the strings and the sublimely eloquent woodwinds, and the musical authority that lies in the roots of its history. 

Debussy provided a scintillating introduction to Hilary Hahn’s glorious rendering of Bruch’s Violin Concerto no. 1 in G minor and Prokofiev’s fiery Fifth Symphony. 

The Colombian conductor leads the London Philharmonic in an evening of Weber, Bruch and Beethoven where classical discipline comes out on top.

Bruch’s Violin Concerto bo. 1 had a delicate soloist, but an outspoken orchestra, while Saint-Saëns’ “Organ Symphony” struck all the right notes.

A lively William Tell Overture from Pappano and lyrical Bruch from LSO leader, Roman Simović, preceded a majestic performance of Strauss' Alpine Symphony. 

Tschaikowsky sagte, seine Sechste Symphonie sei die beste Komposition, die ihm in seinem Leben gelungen sei. Das Orchestre Philharmonique de Radio France mit Chefdirigenten Mikko Franck war mit eben dieser Symphonie zu Gast in München.

Pablo Heras-Casado conducts the New York Philharmonic in a performance that provides many a musical lesson, but not much fuel to the imagination.

Callum Smart, playing Bruch’s Violin Concerto no. 1 in G minor, and conductor Matthew Halls made very successful debuts with the Royal Philharmonic Orchestra at a packed Cheltenham Town Hall.

The Royal Philharmonic Orchestra, its Music Director Charles Dutoit, Principal Guest Conductor Pinchas Zukerman and Martha Argerich party in style with Rossini, Schumann, Bruch and Stravinsky.

A varied concert of new music by Anthony Payne, Max Bruch's 1st Violin Concerto with Ray Chen, a Tchaikovsky rarity and a rousing early work by Vaughan Williams