Hidden Haydn: Soloists from the Orchestra of the Age of Enlightenment

Par Alexandra Hamilton-Ayres, 28 avril 2012

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Critique faite à St George's Bristol, Bristol, le 26 avril 2012

Haydn, Trio avec flûte en ré majeur, Op.38 no. 1

Danzi, Duo in C minor for viola and cello

Haydn, Sonata no. 4 in C major for Violin and Viola MH338

Pleyel, Flute Quartet in D major, Op.25 no.1

Haydn, Trio avec flûte no. 1 en ut majeur, « Londonien », Hob IV: 1

Soloists from the Orchestra of the Age of Enlightenment

Lisa Beznosiuk, Flûte

Matthew Truscott, Violon

Tom Dunn, Alto

Jonathan Manson, Violoncelle

Bohemian Winds from the OAE

Jack Johnson, 5th February

An accomplished technical display from the OAE's period wind ensemble which occasionally lacked personality.

***11

Baroque ABCs: Musicians from the OAE and John Butt at St George's Bristol

David Fay, 25th March

It can’t be often that one of the world’s pre-eminent Bach scholar-interpreters teams up with one of the world’s most famous period instrument ensembles to give a concert dedicated to one of the world’s most celebrated composers in one of the world’s most renowned acoustics.

****1

Bach a tres voces: Pahud, Pinnock y Manson en el CNDM

Jorge Baeza Stanicic, 18th February

Un recital en el que la voz única de cada intérprete estuvo en perfecta sintonía con el espíritu del compositor, a la vez que al servicio del conjunto, resultando en un evento verdaderamente significativo.

****1

Nothing but Haydn: the OAE deliver with panache

Alexander Hall, 25th October

Who needs a conductor? The OAE under the direction of Matthew Truscott reveal the delightful range and character of Haydn, from his symphonic beginnings to the very end.

****1

Phantasm viol consort: Perilous polyphony

Jane Shuttleworth, 10th May

Fantasias for viol trio performed by members of Phantasm illustrate the inventiveness of England's best composers from the sixteenth and seventeenth centuries.

****1

Lammermuir Festival: Dunedin Consort in Mozart and C.P.E. Bach

Alan Coady, 22nd September

Since reading Stravinsky’s assertion (in Poetics of Music) that “The more constraint one imposes, the more one frees oneself from the chains that shackle the spirit”, this paradox has fascinated me.

****1

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Alexandra Hamilton-Ayres

Alexandra Hamilton-Ayres is a Bristol-based film composer and classical electronic artist. Alexandra's passion in scoring and as a performer lie in the duality between the classical and electronica worlds, moving picture and her love for the piano. Her music has been described by The White Room Magazine as “majestic, at times monumental…the force and vastness of nature”.