A mixed Manon Lescaut at Opera Holland Park

Par Dominic Lowe, 06 juin 2019

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Critique faite à Holland Park Theatre, Londres, le 4 juin 2019

Puccini, Manon Lescaut

Opera Holland Park

Peter Robinson, Direction

Karolina Sofulak, Mise en scène

George Leigh, Décors, Costumes

Elizabeth Llewellyn, Manon Lescaut

Peter Auty, Chevalier des Grieux

Paul Carey Jones, Lescaut

Stephen Richardson, Geronte di Ravoir (Géronte de Ravoir)

Stephen Aviss, Edmondo (Edmond)

Ellie Edmonds, Un musicien

Opera Holland Park Chorus

City of London Sinfonia

Born to sing Lucia: Jennifer France shines at Opera Holland Park

Mark Valencia, 18th July

Cecilia Stinton’s new production of Lucia di Lammermoor doesn't necessarily make best use of OHP’s performance space, but the singers excel.

***11

A mafioso Merry Widow at Opera Holland Park

Dominic Lowe, 19th June

Despite some excellent music-making, John Savournin's production is hindered by a laboured New York relocation.

**111

Jonathan Dove’s Itch at Opera Holland Park

David Karlin, 3rd June

Simon Mayo’s Young Adult novels are turned into an operatic romp which explores the fascination of the elements with excellent music and setting, albeit riddled with plot lacunae.

****1

Doomed Dutchman wants a wife: Wagner makes Opera Holland Park debut

Eleanor Knight, 27th May

Amid the rough winds of late May, Julia Burbach directs Opera Holland Park's first venture into Wagner – The Flying Dutchman.

***11

Trapped in a vice: Il segreto di Susanna and Pagliacci at OHP

Dominic Lowe, 17th July

Joining OHP's 2019 production of Wolf-Ferrari's charming domestic comedy, a blazing new production of Pagliacci delivers everything that one could want from Leoncavallo's infamous opera.

*****

Puccini's Edgar makes a rare appearance at Opera Holland Park

Dominic Lowe, 2nd July

Is Puccini's second opera unloved and unlovable? Opera Holland Park makes a commendable attempt to revive Edgar, but struggles to overcome its many flaws.

***11

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.