L.A. Dance Project reframes Romeo and Juliet under the Sydney sky

David Adrian Freeland Jr. as Romeo and Mario Gonzalez as Juliet in Romeo and Juliet Suite

L.A. Dance Project in Benjamin Millepied's Romeo and Juliet Suite

Par Katie Lawrence, 06 juin 2024

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“It’s geometric sorcery, and a remarkable fusion of dance and cinematography”

Critique faite à Sydney Opera House: Joan Sutherland Theatre, Sydney, le 5 juin 2024

Romeo & Juliet Suite (Benjamin Millipied)

L.A. Dance Project

David Adrian Freeland Jr., Danse

Mario Gonzalez, Danse

LA Dance Project: a fugitive Romeo & Juliet Suite in New York

Carla Escoda, 3rd March

Benjamin Millepied's Romeo & Juliet Suite for LA Dance Project, to Prokofiev sliced and diced, has arrived in New York. Stunningly staged, with a puzzling shortage of characters.

**111

The Australian Ballet does Romeo and Juliet: precision over passion

Katie Lawrence, 24th April

This revival of Romeo and Juliet combines vivid staging and technical leads, but the lover's careful partnership lacks the volatility that makes young love convincing and tragedy believable.

***11

The Australian Ballet and Bangarra Dance Theatre in Flora

Katie Lawrence, 7th April

Flora unites the Australian Ballet with Bangarra Dance Theatre in a glorious collaboration that traces loss, renewal, resilience, cultural continuity and enduring vitality of the body.

****1

Opera Australia’s Eugene Onegin shines musically

Sandra Bowdler, 17th March

Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.

****1

Humperdinck hobbled in Opera Australia revival

Jeremy Eccles, 27th January

Elijah Moshinsky’s 33-year-old production of Hansel and Gretel hasn’t aged well.

***11

A psychological Turandot in Ann Yee's Opera Australia staging

Sandra Bowdler, 15th January

Opera Australia's new Turandot succeeds with musical, dramatic and visual values with a mix of local and imported talent.

****1

Plus de critiques...

Katie Lawrence

Katie Lawrence has a background in ballet, jazz, and contemporary, and spent much of her adolescence in the dressing room of dance eisteddfods. She is still mildly triggered by the smell of hairspray. She is now a regular in Sydney's dance audience crowd and can often be found at Sydney Dance Company and Tanya Pearson adult classes.