“Ein sonderbar Ding”: The Met revives oddly disjointed Rosenkavalier

Günther Groissböck (Baron Ochs) and Lise Davidsen (Marschallin)

Erin Morley (Sophie) and Samantha Hankey (Octavian)

Samantha Hankey (Octavian)

Samantha Hankey (Octavian) and Lise Davidsen (Marschallin)

Lise Davidsen (Marschallin)

Par Cameron Kelsall, 28 mars 2023

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“amid the morass, Davidsen managed to debut a highly credible Marschallin”

Critique faite à Lincoln Center: Metropolitan Opera House, New York, le 27 mars 2023

Strauss R., Le Chevalier à la rose (Der Rosenkavalier)

Metropolitan Opera

Simone Young, Direction

Robert Carsen, Mise en scène, Lumières

Paul Steinberg, Décors

Brigitte Reiffenstuel, Costumes

Peter van Praet, Lumières

The Metropolitan Opera Orchestra

The Metropolitan Opera Chorus

Lise Davidsen, La Maréchale

Samantha Hankey, Octavian

Günther Groissböck, Baron Ochs von Lerchenau

Brian Mulligan, Monsieur de Faninal

Erin Morley, Sophie

Thomas Ebenstein, Valzacchi

Katharine Goeldner, Annina

René Barbera, Un chanteur italien

Philippe Giraudeau, Chorégraphie

Asmik Grigorian strengthens the Met’s revival of Eugene Onegin

Susan Stempleski, 20th April

The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.

****1

Innocence: Saariaho’s final opera receives New York premiere

Kurt Gottschalk, 6th April

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

Susan Stempleski, 31st December

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

Porgy and Bess returns stronger than ever at the Met

Robert Levine, 7th December

Back to Catfish Row for another revival of The Gershwins’ Porgy and Bess and James Robinson’s show continue to wow our writer.

*****

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.

“Ein sonderbar Ding”: The Met revives an oddly disjointed Rosenkavalier