English Touring Opera put Rossini's Cenerentola in a museum

Cinderella

Esme Bronwen-Smith (Angelina), Joseph Doody (Don Ramiro)

Cinderella

Nazan Fikret, Arshak Kuzikyan, Lauren Young, Edward Hawkins, Edmund Danon, Joseph Doody

Nazan Fikret (Clorinda), Lauren Young (Tisbe), Arshak Kuzikyan (Don Magnifico)

Par Mark Valencia, 29 octobre 2023

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“sleek, solid, bright enough to accommodate the director’s well-oiled comic machine and let it purr”

Critique faite à Snape Maltings Concert Hall, Snape, le 28 octobre 2023

Rossini, La Cenerentola (Cendrillon)

English Touring Opera

Naomi Woo, Direction

Jenny Ogilvie, Mise en scène

Basia Bińkowska, Décors, Costumes

Charlie Morgan Jones, Lumières

Esme Bronwen-Smith, Angelina (Cinderella)

Joseph Doody, Don Ramiro

Edmund Danon, Dandini, valet de Ramiro

Arshak Kuzikyan, Don Magnifico

Nazan Fikret, Clorinda

Lauren Young, Tisbe

Edward Hawkins, Alidoro

Zahid Siddiqui, Ténor

Sandeep Gurrapadi, Ténor

Theo Perry, Baryton

Adam Maxey, Baryton-basse

Art imitates art in ETO’s bracing new Pagliacci

Dominic Lowe, 10th April

Divorced from Cavalleria rusticana, English Touring Opera’s contemporary take on Leoncavallo’s masterpiece ticks all the boxes.

****1

English Touring Opera transfers Donizetti to the English coast

Dominic Lowe, 27th September

L'elisir d'amore may not immediately bring Skegness or Romney to mind, but ETO's new production works quite well there... just look out for the seagulls!

***11

Blissful and hard-boiled: I Capuleti e i Montecchi at ETO

David Karlin, 22nd February

Eloise Lally shifts the Romeo and Juliet love story into New York mafia families. Jessica Cale and Samantha Price provide blissful bel canto as the star-crossed lovers.

****1

A tender Shakespeare-inspired curio from English Touring Opera

Susannah Moody, 15th February

ETO kicks off its spring season with What Dreams May Come, a strange and moving staging of songs inspired by William Shakespeare.

***11

Theatrically poverty-stricken: ETO's Blond Eckbert

Mark Valencia, 18th October

Judith Weir's cryptic folk opera lacks the narrative propulsion necessary to enthral an audience, and without resolution there is no catharsis.

**111

ETO's The Snowmaiden melts the heart and gladdens the ears

Dominic Lowe, 28th September

Olivia Fuchs' production of Rimsky-Korsakov's charming fable for ETO begins its tour in Hackney and is worth travelling to see. Catch this thoughtful production in a town near you.

****1

Plus de critiques...

Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.

English Touring Opera put Rossini’s La Cenerentola in a museum