Soloists of Oxford Philomusica: Baroque music at St George's Bristol

Par Edward Whitney, 15 juillet 2012

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Critique faite à St George's Bristol, Bristol, le 12 juillet 2012

Bach, Suite pour orchestre no. 2 en si mineur, BWV1067

Telemann, Concerto in D major for four violins, TWV 40:202

Bach, Concerto pour clavier no. 2 en mi majeur, BWV1053

Bach, Concerto pour violon en la mineur, BWV1041

Pachelbel, Canon en ré majeur

Bach, Concerto brandebourgeois no. 5 en ré majeur, BWV1050

Soloists of Oxford Philomusica

Mahan Esfahani, Clavecin

Im Himmel süßer Koloraturen: Anna Bonitatibus mit Händel in Halle

Michael Vieth, 8th June

Il Maestro e Margherita: eine Reihe geistlicher Kantaten hatte der junge Händel in Rom für seine Lieblingssängerin Margherita geschrieben.

*****

Andrew Manze excels in Sibelius and Mozart

Leighton Jones, 23rd March

Bookending a new harpsichord concerto from Gavin Bryars for the renowned virtuoso Mahan Esfahani, two underrated symphonies are given highly commendable performances in Liverpool.

****1

Mahan Esfahani performs the Goldberg Variations in Philadelphia

Cameron Kelsall, 23rd February

The harpsichordist brought a highly personal, deeply engrossing interpretation that invited the listener to consider this familiar work anew.

*****

Music by non-dead people: Manchester Collective at the Proms

David Karlin, 17th August

Six pieces, all of them different, all of them new to the Proms, most by living composers, and all played superbly. A great contemporary music Prom.

****1

Mahan Esfahani and Sarah Connolly at Wigmore Hall

David Karlin, 14th June

A varied programme of harpsichord pieces interleaves with songs from Shakespeare and the following century.

***11

Besuch der Bach-Söhne beim Orchestra La Scintilla in Zürich

Jens Klier, 19th December

Über ein Konzert von W. F. Bach 1774 gibt es zu lesen: „Alles was die Empfindung berauscht, Neuheit der Gedanken, frappante Ausweichungen, dissonierende Sätze...“. Bei La Scintilla und Minasi galt selbiges.

****1

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Edward Whitney

Edward is a trombonist, writer and critic based in Reading. He has an interest in small-scale arts projects and assists with a number of grassroots music groups. He is a supporter of amateur music and participation at every level.