En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Suite pour orchestre no. 2 en si mineur, BWV1067

Le Festival de Froville-La-Romane a invité les pianistes et improvisateurs Jean-François Zygel et Hugues Leclère, qui se sont livrés à une joyeuse joute intitulée Bachmania...

Belle idée que de ne pas cantonner le Cantor à ses seules pages sacrées ! On sait William Christie soucieux de mettre en avant la sensualité et la vitalité de Bach, souvent réservées au seul baroque français.

Vespres d'Arnadí y Dani Espasa abordaron en el Palau de la Música Catalana un monográfico instrumental de Bach con grandes dosis de teatralidad y afable trato hacia el oyente. 

A heartfelt performance from American countertenor with the Bach Akademie Australia with contrasting spiritual works by Bach and Vivaldi. 

Yuja Wang showed once again that she has way more to offer than fireworks, with delicacy, dynamic control and sensitive expression too in her wide ranging programme.

Giovanni Antonini y la Orquesta Barroca de Sevilla ofrecieron una versión de las Suites para orquesta de Bach construida con criterio, sin perder de vista el trasfondo originario del mundo de la danza, mostrando su sublimación a través de un ejercicio sustancioso.

Da meistens zu behäbig und uninspiriert, ging diese Fechtschule unter Trainer Haselböck nur knapp ohne Niederlage der Beteiligten aus.

CoCo's players used a minimum of overt embellishment, always effective and appropriate, as if they felt that nothing more was needed than the printed notes.

The Houston Symphony showed the many sides of Bach in a festive performance over the Easter weekend.

During Henry Wood’s Prom years, Wednesday was Bach Night. To commemorate the 150th anniversary of his birth, the Proms revived this tradition in the final week with a couple of modern twists.

The Orchestra of St. Luke's and Bernard Labadie came up with the excellent idea of a Bach-centered festival in New York. 

Jordi Savall y Le Concert des Nations ofrecieron uno de esos conciertos que se postulan como inolvidables debido al compromiso ofrecido con una interpretación idiomática de la música de Bach.

On the basis of this concert, the graduate ensemble Juilliard415 (named after the standard Baroque pitch of 415 Hz) is already of extremely high quality indeed, technically proficient and highly in-tune with Baroque style.

Richard Tognetti brings Baroque masterworks to Melbourne along with the world premiere of Kats-Chernin's new work for strings, Singing Trees.

With Mahler’s arrangement of Bach orchestral suites and Shostakovich’s Tenth Symphony, this concert showcased the many ways that composers have placed musical signatures on their work.

A disappointing performance of Bach's four Orchestra; Suites from the Academy of Ancient Music, on tour to the United States. 

Laurence Cummings and Royal Northern Sinfonia round off their week of Bach concerts at Sage Gateshead with joyful orchestral music, and Bach's miniature comic opera.

Sixty years after his debut with the Swedish Royal Philharmonic Orchestra, 87 year old Herbert Blomstedt conducted the orchestra in the very same programme in a sold out Stockholm Concert Hall. 

Today it is thought that J.S. Bach’s chamber and ensemble music, including the four Orchestral Suites, date from his time in Leipzig from the 1720s onwards. When all the Orchestral Suites (BWV1066–1069) are put together, their inventive and varied nature is evident. The suites make great use of all ensemble instruments and incorporate a range of structures, as well as internal forms and dances.

Baroque music is pretty old, isn’t it? But the great thing is, you don’t have to have the advanced years of a Brandenburg Concerto to put it on. The Oxford Philomusica has been active for little more than a decade – and they rushed through the pouring rain to play at the similarly young St George’s Bristol.

The Canadian orchestra Tafelmusik has long reigned as one of North America’s most exciting period ensembles. For its return to Carnegie on Friday 12 November 2011, the orchestra delivered fresh and stylish playing to a sold-out Zankel Hall.

When I was young, I often wondered what it would be like if an angel came down to earth. I mused that, if such an angel came, she would be a pretty, middle-aged lady with a slender figure, blonde hair, and, most importantly, a gorgeous, ethereal voice.

Since the summer of 2009, I have had the privilege to study voice under Dr. Robert Holst, assistant professor of music at Lewis University. Dr. Holst is also director of the Downers Grove Choral Society, a highly-regarded community chorus in my area.