An outstanding and purposeful debut for the Viviana Durante Company

Par Graham Watts, 24 avril 2018

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“a remarkable achievement”

Critique faite à Barbican Theatre, Londres, le 18 avril 2018

House of Birds (Sir Kenneth MacMillan)

Danses Concertantes (Sir Kenneth MacMillan)

Laiderette (Sir Kenneth MacMillan)

Ballet Black

Lauren Cuthbertson, Danse

Edward Watson, Danse

Francesca Hayward, Danse

Akane Takada, Danse

Dancers of Scottish Ballet, Danse

José Alves, Danse

Benjamin Ella, Danse

Sayaka Ichikawa, Danse

La danse macabre de Mayerling entre au répertoire de l'Opéra de Paris

Jade Larine, 25th October

Drame sulfureux en trois actes s’inscrivant dans la veine des grandes fresques narratives léguées par MacMillan, Mayerling laisse un goût d'inachevé malgré la belle prestation du Ballet de l'Opéra de Paris.

***11

Manon MacMillan à l'Opéra de Paris

Laurine Mortha, 20th April

Désormais véritable chef-d’œuvre du ballet classique, L’Histoire de Manon nous emmène au travers des transports amoureux, du remord et de la trahison qui secouent la destinée tragique de deux jeunes gens, dans une trame simple mais restée très puissante.

****1

The Royal Ballet’s Mayerling: violent, feral, tortured dance

Graham Watts, 30th March

In this latest revival of Kenneth MacMillan’s Mayerling, The Royal Ballet presents a roster of powerful and vivid interpretations across the board.

****1

National Ballet of Japan's revival of Manon was devastatingly good

Naomi Mori, 19th March

National Ballet of Japan in Kenneth MacMillan’s Manon has been revived six years after its performances were cancelled because of the pandemic. Exceptionally good interpretations led the opening night performance.

****1

Ballet superstars in Frankfurt for a night to savour

Vikki Jane Vile, 30th November

For one night only, audiences in Frankfurt were treated to some world class ballet on the expansive stage of the Jahrhunderthalle.

****1

ENB’s The Sleeping Beauty: disappointing cuts skew the story

Jonathan Gray, 27th November

English National Ballet's revival of the Tchaikovsky classic The Sleeping Beauty, disappoints at the Mayflower Theatre in Southampton.

***11

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

An outstanding, purposeful debut for the Viviana Durante Company