Elegant guise from Arabella Steinbacher with Dresden Philharmonic

Par Mark Thomas, 23 mai 2018

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“Steinbacher is a class act, gliding with linear guise”

Critique faite à Cadogan Hall, Londres, le 22 mai 2018

Weber, Euryanthe: Ouverture

Tchaïkovski, Concerto pour violon et orchestre en ré majeur, Op.35

Chostakovitch, Symphonie no. 5 en ré mineur, Op.47

Dresdner Philharmonie

Arabella Steinbacher, Violon

Michael Sanderling, Direction

L'ouverture prometteuse du British Festival à Dresde

Pierre Michel, 14th November

Pour sa prise de fonction à la tête de l'orchestre dresdois, le chef britannique a dirigé un concert d'ouverture passionnant, notamment dans une Quatrième Symphonie de Brahms très réussie.

****1

Maria Ioudenitch, Stanislav Kochanovsky and the Dresden Philharmonic

Alexander Hall, 15th April

There is something peculiarly Russian about the capacity for suffering as exemplified in the music of Shostakovich and Tchaikovsky. Maria Ioudenitch, Stanislav Kochanovsky and the Dresden Philharmonic are excellent interpreters at Cadogan Hall.

****1

González: un director valiente al frente de la Dresdner Philharmonie

David Santana Cañas, 24th January

Pablo González llega a Madrid con su gira por España junto con la Dresdner Philharmonie

***11

Mercurial Schumann and portentous Bruckner in Cologne

Stephen Pritchard, 18th April

Pianist Alice Sara Ott and the Dresden Philharmonic at the Cologne Philharmonic

****1

Marek Janowski returns to Weber’s Euryanthe

John Johnston, 19th January

Emily Magee was in glowingly refulgent voice as the 'damsel in distress', Euryanthe, in this concert performance of Weber's rarity.

****1

Beethoven from Dresden in Cardiff

Rohan Shotton, 1st April

Michael Sanderling conducts the Dresden Philharmonic in Beethoven in Cardiff.

****1

Plus de critiques...

Mark Thomas

A lifelong devotee of classical music, Mark caught the bug after listening to The Planets, The Rite of Spring and Beethoven’s Fifth when he was knee-high to a grasshopper. He has degrees in non-musical subjects and currently works as a Chartered Governance Professional, but these have proved to be mere distractions from the wonders of sonatas, concertos and symphonies. He has been reviewing for Bachtrack since 2016, plays viola and violin (very shakily) and used to sing a bit (even more shakily).

Elegant guise from Arabella Steinbacher as Dresden Philharmonic takes on Tchaikovsky and Shostakovich