Mercurial Schumann and portentous Bruckner in Cologne

Par Stephen Pritchard, 19 avril 2018

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“The Adagio, dedicated to Wagner and the symphony's emotional core, unfolded with stately grandeur”

Critique faite à Kölner Philharmonie, Cologne, le 18 avril 2018

Schumann, Concerto pour piano et orchestre en la mineur, Op.54

Bruckner, Symphonie no. 7 en mi majeur, WAB 107

Alice Sara Ott, Piano

Dresdner Philharmonie

Michael Sanderling, Direction

L'ouverture prometteuse du British Festival à Dresde

Pierre Michel, 14th November

Pour sa prise de fonction à la tête de l'orchestre dresdois, le chef britannique a dirigé un concert d'ouverture passionnant, notamment dans une Quatrième Symphonie de Brahms très réussie.

****1

Maria Ioudenitch, Stanislav Kochanovsky and the Dresden Philharmonic

Alexander Hall, 15th April

There is something peculiarly Russian about the capacity for suffering as exemplified in the music of Shostakovich and Tchaikovsky. Maria Ioudenitch, Stanislav Kochanovsky and the Dresden Philharmonic are excellent interpreters at Cadogan Hall.

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González: un director valiente al frente de la Dresdner Philharmonie

David Santana Cañas, 24th January

Pablo González llega a Madrid con su gira por España junto con la Dresdner Philharmonie

***11

Elegant guise from Arabella Steinbacher with Dresden Philharmonic

Mark Thomas, 22nd May

A polished Tchaikovsky Violin Concerto from Arabella Steinbacher preceded a forceful Shostakovich 5 from Michael Sanderling as the Dresden Philharmonic continue their UK tour.

****1

Marek Janowski returns to Weber’s Euryanthe

John Johnston, 19th January

Emily Magee was in glowingly refulgent voice as the 'damsel in distress', Euryanthe, in this concert performance of Weber's rarity.

****1

Beethoven from Dresden in Cardiff

Rohan Shotton, 1st April

Michael Sanderling conducts the Dresden Philharmonic in Beethoven in Cardiff.

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Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.