Bachtrack logo
Agenda
Tous les spectaclesConcertsOpéraDanseEnfantsMaster classesConcoursFestivals
Critiques
Toutes les critiquesCritiques concertCritiques opéraCritiques danse
Articles
Tous les articlesDossiersInterviewsOpinionPlaylist
Actualités
Vidéo
Accueil VidéoTous les vidéosStreamingConcertsOpéraDanseEnfantsMaster classesÉditeurs
Site
À proposNous contacterRenvoi vers notre siteConditions d'utilisationCookiesConfidentialité
Jeunes artistes
Voyage
AgendaCritiquesArticlesVidéo

Wilson's 'The Old Woman', performed by Mikhail Baryshnikov and Willem Dafoe

Par Jaime Robles, 24 novembre 2014
Chargement en cours, veuillez patienter...
Voir le listing complet
“It’s a wonder of fastidious timing and conceptual integrity. ”
Critique faite à UC Berkeley, Zellerbach Hall, Berkeley, le 22 novembre 2014
Artistes
Mikhail Baryshnikov, Chorégraphie, Danse
Willem Dafoe, Comédien
Voir plus de critiques Danse
Letter to a Man in LA
Jeff Slayton, 18th November
Mikhail Baryshnikov collaborates with Robert Wilson and Lucinda Childs to present Letter To A Man based on the Diary of Vaslav Nijinsky. It is an exploration into the troubled mind of an iconic genius that struggles with its own problems.
***11
Baryshnikov steps into Nijinsky's mind
Wiebke Schuster, 11th November
Letter to a Man is a surrealist recount of Nijinsky's mental downward spiral as interpreted by Mikhail Baryshnikov, a man dedicated to a lifetime of dance.
****1
Eifman Ballet in a strangely psychological Pygmalion Effect
Jaime Robles, 31st May
Eifman has said he wants move dance back into theater and to use movement to explore the psychological. Both of these the company accomplishes.
***11
Xenos: The generous sorrow of Akram Khan
Jaime Robles, 2nd March
He turns and turns, elliptically and with the speed of a skater on ice. Sheer muscle defies gravity and the friction of feet on terra firma.
*****
No lonely hearts in MMDG’s Pepperland
Jaime Robles, 28th September
What makes this piece entirely Mark Morris is, even more than the dancing, the music. 
*****
Wang Ramirez take Borderline to California
Jaime Robles, 24th February
A cube hangs suspended at an angle and Ramirez, harnessed to a line above the stage, floats above it, fulfilling the promise of dance and the human desire to escape gravity – to fly in angelic weightlessness. 
*****
Plus de critiques...
Lire critiques de
Mikhail BaryshnikovWillem Dafoe
Articles connexes
Loading image...
À la limite de la folie : entretien avec Sidi Larbi Cherkaoui
Loading image...
Le quotidien d'une ballerine : entretien avec Deborah Weiss
Top 10 des danseurs à suivre sur Instagram pendant son confinement
Loading image...
8 femmes chorégraphes qui ont révolutionné la danse
En voir plus de Jaime Robles
Visions of Classical (Re)Vision in San Francisco
Eifman Ballet in a strangely psychological Pygmalion Effect
Alonzo King's LINES Ballet takes a walk on the wild side
The solace of love in San Francisco Ballet’s Program 5: Lyric Voices
Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.