Star-cross’d Prokofiev and Bernstein raise the emotional temperature

Par Mark Pullinger, 18 mars 2014

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“Takezawa... revelled in reflective melancholy, with barely whispered playing in the cadenza”

Critique faite à Cadogan Hall, Londres, le 17 mars 2014

Mayazumi, Bugaku

Tchaïkovski, Concerto pour violon et orchestre en ré majeur, Op.35

Tchaïkovski, Les Saisons: Octobre: Chant d'automne, Op.37a ou Op.37b (Arr for violin and piano)

Prokofiev, Roméo et Juliette : extraits

Bernstein, West Side Story: Danses symphoniques

Toyama, Rhapsody for Orchestra

Tokyo Philharmonic Orchestra

Eiji Oue, Direction

Kyoko Takezawa, Violon

Soirée hors normes à Toulouse avec Vengerov, Chung et le Tokyo Phil

Thibault d'Hauthuille, 3rd November

Dans des tubes de Tchaïkovski et Prokofiev, l'orchestre, son directeur musical honoraire et son soliste invité ont été éblouissants.

*****

Will Tuckett's Nutcracker for National Ballet of Japan is delightful

Naomi Mori, 19th December

National Ballet of Japan premiered production of Nutcracker choreographed by Will Tuckett, that features a stylish and dramatic Act 1 and a hilarious, colourful and unique Act 2.

****1

Tokyo Philharmonic and Myung-whun Chung launch European tour in Berlin

Elena Luporini, 28th October

The Tokyo Philharmonic visits the Berlin Philharmonie to bring finesse to a catchy programme featuring Bernstein, Gershwin and Prokofiev.

****1

National Ballet of Japan revives Ashton's beloved Cinderella

Naomi Mori, 18th October

The National Ballet of Japan gave an excellent rendition of Sir Frederick Ashton's Cinderella, in spite of many new faces and role debuts.

****1

Wheeldon's Alice's Adventures in Wonderland dazzles again in Tokyo

Naomi Mori, 12th June

Christopher Wheeldon’s Alice’s Adventures in Wonderland returned to the National Ballet of Japan, a marvelous production that amply displays the many talents of the company.

****1

National Ballet of Japan's revival of Giselle: a dramatic return

Naomi Mori, 10th April

National Ballet of Japan has revived their production of Giselle, ahead of their tour to the Royal Opera House in London, replicating the triumphant success it had in 2022.

*****

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.