West Side Story: A Manhattan Juke-Box on Sydney Harbour

Par Chantal Nguyen, 25 mars 2019

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“Zambello has refreshed the juke-box casing but left the internal mechanics largely untouched”

Critique faite à Handa Opera on Sydney Harbour, Sydney, le 23 mars 2019

Bernstein, West Side Story

Opera Australia

Guy Simpson, Direction

Francesca Zambello, Mise en scène

Brian Thomson, Décors

Jennifer Irwin, Costumes

Julie Lea Goodwin, Maria

Alexander Lewis, Tony

Mark Hill, Riff

Karli Dinardo, Anita

Olivia Vasquez, Rosalia

Waldemar Quinones-Villanueva, Bernardo

David Whitney, Doc

John Rayment, Lumières

Opera Australia Orchestra

Opera Australia’s Eugene Onegin shines musically

Sandra Bowdler, 17th March

Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.

****1

Humperdinck hobbled in Opera Australia revival

Jeremy Eccles, 27th January

Elijah Moshinsky’s 33-year-old production of Hansel and Gretel hasn’t aged well.

***11

A psychological Turandot in Ann Yee's Opera Australia staging

Sandra Bowdler, 15th January

Opera Australia's new Turandot succeeds with musical, dramatic and visual values with a mix of local and imported talent.

****1

Siobhan Stagg leads a strong Marriage of Figaro revival in Sydney

Sandra Bowdler, 31st July

Siobhan Stagg is an outstanding Susanna in a strongly cast and well produced Marriage of Figaro at the Sydney Opera House

****1

Watery magic as Nicole Car makes a triumphant return to Sydney

Jeremy Eccles, 19th July

Nicole Car makes her role debut as Dvořák's Rusalka in a production by Sarah Giles that proves a winner.

****1

Danielle de Niese makes Carmen debut in a colourful new Sydney staging

Sandra Bowdler, 10th July

Danielle de Niese's assumes the title role at the Sydney Opera House, leading an impressive cast with an interesting approach to characterisation with a somewhat over the top blingy setting.

****1

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Chantal Nguyen

Chantal has a background in ballet and contemporary dance, and was the first Australian to complete the International Baccalaureate Diploma Programme in Higher Level Dance. She has completed violin studies, and plays regularly in Sydney ensembles. She also dabbles in folk songs and subversive musical parody.