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Salle: Brighton Dome, Concert Hall

Fichier de données
AdresseBrighton
South-East
BN1 1UG
Royaume-uni
Google maps50° 49' 24.497" N 0° 8' 18.170" W
février 2026
lun.mar.mer.jeu.ven.sam.dim.
26272829303101
02030405060708
09101112131415
16171819202122
23242526272801
02030405060708
Soirée
Matinée
Événements à venirEn voir plus...

BrightonA Little Bit in Love

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Sondheim, Bernstein, Porter
London Philharmonic Orchestra; Wilson Ng; Danielle de Niese

BrightonThe Firebird

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Mendelssohn, Mozart, Debussy, Stravinsky
London Philharmonic Orchestra; Dionysis Grammenos; Lukas Sternath

BrightonMám – Teaċ Daṁsa

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Begley: MÁM
Michael Keegan-Dolan; Teaċ Daṁsa; Sabine Dargent; Hyemi Shin
Critiques récentesEn voir plus...

A golden Turangalîla to celebrate the Brighton Philharmonic’s 100th

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Joanna MacGregor and the Brighton Philharmonic Orchestra bring their 100th season to a triumphant conclusion at the Brighton Dome. 

Energetic Scottish Symphony lifts a weighty evening with the LPO

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Ponomarchuk and the LPO raise the spirits in Felix Mendelssohn's Scottish Symphony after an underwhelming first half at the Brighton Dome. 

In Brighton, Tchaikovsky's Fifth lifts Gergely Madaras' LPO debut

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Madaras and the LPO rise above the routine in Tchaikovsky's Fifth Symphony, with an engaging performance of the Rococo Variations from Zlatomir Fung.

Singing melodies and rapid-fire showmanship from Alexei Grynyuk

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Delicacy and effortlessly flowing melodies in Mendelssohn and Schubert, with dazzling extremes and showmanship in Liszt at the Brighton Festival.

Les Talens Lyriques come to Brighton Festival

Energetic playing, clarity and precision from Christophe Rousset and Les Talens Lyriques in three dramatic pieces by Monteverdi, but some weighty singing obscures the detail. 

Commanding LPO debut from Rory Macdonald

Intelligent and arresting Dvořák, warm and confident Humperdinck from Rory Macdonald's debut with the LPO, marred only by disappointing Chopin.  

Ultima Vez's Talk to the Demon at Brighton Festival

Brighton Festival hosts the UK premiere of Talk to the Demon, a work full of uncomfortable questions, powerful performances and breathtaking dancing. Choreographed on Ultima Vez by Belgian choreographer Wim Vandekeybus.

Blazing Bruckner in Brighton

After the overture, whose two movements, fast and slow, were adequately dispatched by a suitably small orchestra, the audience mistook the arrival of an orchestral horn player as that of the soloist himself, and burst into applause, which turned to laughter as the mistake became obvious.