Vom Punk zum Kaiser: Barrie Koskys Agrippina in München

By Christoph Wurzel, 26 July 2019

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“Koskys subtile Personenregie spitzt die Situationen präzise zu”

Reviewed at Prinzregententheater, Munich on 23 July 2019

Handel, Agrippina

Bavarian State Opera

Ivor Bolton, Conductor

Barrie Kosky, Director

Rebecca Ringst, Set Designer

Klaus Bruns, Costume Designer

Alice Coote, Agrippina

Franco Fagioli, Nerone

Elsa Benoit, Poppea

Gianluca Buratto, Claudio

Iestyn Davies, Ottone

Markus Suihkonen, Lesbo

Andrea Mastroni, Pallante

Eric Jurenas, Narciso

Joachim Klein, Lighting Designer

Nikolaus Stenitzer, Dramaturgy

Bayerischer Staatsopernchor

Bayerisches Staatsorchester

Jones’ wicked Hänsel und Gretel returns to the Bayerische Staatsoper

Mark Pullinger, 6th December

Even without a gingerbread house, there’s enough wickedness in Richard Jones’ staging of Humperdinck’s opera for sweet tooths to savour.

****1

No fairy tale: Kušej’s Rusalka works with devastating force in Munich

Orsolya Gyárfás, 26th July

Asmik Grigorian leads a searing performance in Martin Kušej’s 15-year-old, yet ever-fresh, outstanding production of Dvořák's opera.

****1

Everlasting Everding: another beautiful Munich Zauberflöte revival

Laura Servidei, 4th January

August Everding’s Magic Flute is revived in Munich with a solid cast for the enjoyment of all ages.

***11

And they were the most divine gods: Das Rheingold in Munich

Phillip Richter, 3rd November

Tobias Kratzer's prelude to this new Ring cycle exceeds all expectations and scores a musical-theatrical success.

*****

All play and no work: an exuberant Figaro in Munich

Orsolya Gyárfás, 17th July

Evgeny Titov's new production is heavy on the jokes and light in substance, but delights anyway thanks to its high-class cast.

****1

Waltzing masks and masquerades in Kosky’s new Fledermaus

Zenaida des Aubris, 23rd December

Expect sequins and swinging chandeliers in the Australian director's new Fledermaus at the Bayerische Staatsoper.

****1

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Christoph Wurzel

Nach dem Studium der Germanistik, Politikwissenschaft, Philosophie und Musikwissenschaft war Christoph Wurzel lange im pädagogischen Bereich tätig. Er interessiert sich besonders für die gesellschaftlich relevanten Aspekte der Musik. Er lebt in Baden – Baden und schreibt für verschiedene Magazine in Deutschland.

Vom Punk zum Kaiser: Barrie Koskys Agrippina bei den Münchner Opernfestspielen