Genies unter sich: Haydn und Mozart mit Sir John Eliot Gardiner

By Jens Klier, 10 January 2023

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Reviewed at Kölner Philharmonie, Cologne on 9 January 2023

Haydn, Symphony no. 84 in E flat Major "In nomine Domini”

Mozart, Sinfonia Concertante for Violin and Viola in E flat major, K364 (K320d)

Mozart, Symphony no. 36 in C major, "Linz”, K425

Isabelle Faust, Violin

Antoine Tamestit, Viola

English Baroque Soloists

Sir John Eliot Gardiner, Conductor

A rare Handel pastoral ode at Carnegie Hall

Edward Sava-Segal, 26th October

Dinis Sousa conducts the combined forces of the English Baroque Soloists and the Monteverdi Choir in L’Allegro, il Penseroso ed il Moderato.

****1

Gardiner and the English Baroque Soloists roll back the centuries

Roy Westbrook, 13th January

Refined if sometimes raucous pleasures from Haydn and Mozart as the EBS continues its European tour.

****1

Semele crashes and burns, but Louise Alder soars up at Ally Pally

Mark Pullinger, 2nd May

Rising like a phoenix, the Alexandra Palace Theatre stages its first opera since its reopening after eighty years of slumber.

****1

Gardiner steps into his Ring of Cantatas in Leipzig

Stephen Pritchard, 8th June

A taste of the opening weekend in Leipzig’s marathon Bach Festival.

****1

A religious experience at Prague Spring

Frank Kuznik, 17th May

Sir John Eliot Gardiner and his Baroque specialists continue their crusade to bring Bach's church cantatas to the modern world.

****1

Evil triumphs beautifully in Monteverdi 450 Poppea

Ilana Walder-Biesanz, 29th July

The final opera in Sir John Eliot Gardiner's Monteverdi 450 trilogy features an excellent cast and inspires deep emotion.

****1

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Jens Klier

Vor seinem Rechtswissenschafts-Studium in Bayreuth und Bonn widmete sich Jens Klier seit frühester Kindheit musikalisch der Violine (Repertoire vom 17. bis 20. Jahrhundert). Während er zudem mit Gesang und dem Leben im Orchesterbetrieb groß wurde, entwickelte sich ein besonderes Interesse an der sogenannten 'Historischen Aufführungspraxis' und authentischen Instrumenten. Diese Leidenschaft hält sich hartnäckig, sodass er sie mit Vorliebe für das Barocke anstatt mit Finger und Bogen nun in Form der Musikkritik zu Gehör bringt. U.a. Telemann-Fan, Liebhaber J. S. Bachs Genies und Entdecker neuerer, seltenerer 'Alter Musik'.