Aufruhr und Poesie: Leif Ove Andsnes in Berlin

By Sebastian Urmoneit, 13 November 2022

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Reviewed at Philharmonie: Kammermusiksaal, Berlin on 9 November 2022

Janáček, Piano Sonata 1. X. 1905 "From the Street"

Wustin, Lamento

Beethoven, Piano Sonata no. 31 in A flat major, Op.110

Dvořák, Poetické nálady (Poetic Tone Pictures) for piano, Op.85

Leif Ove Andsnes, Piano

Leif Ove Andsnes reveals the richness of small-scale forms

Edward Sava-Segal, 27th January

The Norwegian pianist assembles an intricate selection of fragments, aphorisms and character pieces for an intriguing New York recital.

****1

Resplendent Strauss from Canellakis and the Wiener Symphoniker

Mark Pullinger, 17th December

Leif Ove Andsnes joins the Vienna Symphony in the Musikverein's Golden Hall for a glowing account of Brahms’ Second Piano Concerto before a terrific Tod und Verklärung.

*****

A spectacular swansong for the Rosendal Chamber Music Festival

Nick Boston, 10th August

A fitting farewell for Leif Ove Andsnes' Rosendal Chamber Music Festival: imaginative programming and excellent performances in an inspiring setting.

*****

Hrůša and Andsnes lead a bright night for the Czech Philharmonic

Frank Kuznik, 24th April

With Jakub Hrůša on the podium and Leif Ove Andsnes at the keyboard, the orchestra offer glowing treatment of a dark program.

****1

Fine Rachmaninov from Edward Gardner and the LPO

Roy Westbrook, 28th September

Leif Ove Andsnes brings out the singing line of Rachmaninov's Third Piano Concerto before vocal soloists Kristina Mkhitaryan, Dmytro Popov and Kostas Smoriginas join the London Philharmonic Choir and Orchestra for The Bells.

****1

Monumental Romantic masterpieces from Andsnes and Honeck in Pittsburgh

Phillip Nones, 21st April

Franz Liszt and Manfred Honeck take us to the gates of Hell and back, while pianist Leif Ove Andsnes delivers poetry and polish in Rach 3.

****1

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Sebastian Urmoneit

Sebastian Urmoneit sudierte Musikwissenschaft und Philosophie in Berlin (u. a. bei Carl Dahlhaus). Ergänzendes Studium an der HdK Berlin (UdK)(u. a. bei Heinrich Poos und Hartmut Fladt), Dissertation zu Wagners „Tristan und Isolde“; Aufsätze über Schubert, Wagner, Wolf, Strauss und Brahms; Herausgabe: Joseph Haydn, Memoria, Band 11 mit Hartmut Fladt. Werkeinführungen für das Berliner Konzerthaus, das Radio-Sinfonieorchester Stuttgart des SWR, die Bamberger Symphoniker, die Stuttgarter Philharmoniker, die Südwestdeutsche Konzertdirektion Erwin Russ GmbH, die Dachauer Schlosskonzerte, die Albert Konzerte GmbH in Freiburg u. a.