Stockhausens Originale

By Saori Kanemaki, 17 June 2015

Loading, please wait...

See full listing

Reviewed at Staatsoper at Schiller Theater: Werkstatt, Berlin on 13 June 2015

Stockhausen, Originale

Max Renne, Conductor

Georg Schütky, Director

Adrian Heger, Piano

Ni Fan, Percussion

Sébastian Alazet, Sound

Miloš Kozoň

L'Orfeo, the world's first great opera, premieres at Glyndebourne

Roy Westbrook, 14th June

One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi's opera in an artist's studio,

****1

Darkness without passion: Damiano Michieletto’s Carmen at La Scala

Laura Servidei, 12th June

Despite Michieletto's visual gloom, the evening is redeemed by Myung-whun Chung’s masterful conducting and a cast that brings conviction to a production that rarely trusts the opera’s own dramatic power.

**111

Aldeburgh Festival dives in at the deep end with Pelléas and Mélisande

Eleanor Knight, 12th June

Rory Kinnear directs a minimally semi-staged performance of Debussy's problematic opera at Snape Maltings, but Ryan Wigglesworth and the BBC Scottish SO provide the detail.

****1

Monteverdi and Ulisse return happily to Garsington Opera

David Karlin, 12th June

Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.

****1

A thrilling Slavic Iolanta from Chișinău

Peter Quantrill, 11th June

Young voices shine in Tchaikovsky's last opera in a new and rustic updating by Moldovan director Slava Sambriș.

****1

McVicar’s Figaro celebrates its 20th Royal Opera anniversary

Dominic Lowe, 8th June

While this revival is imperfect, the Cherubino of Svetlina Stoyanova proves a marvel to hear.

***11

More reviews...

Saori Kanemaki

Saori Kanemaki, geboren in Tokio (Japan), lebt seit 2007 in Deutschland. Von 2008 bis 2014 studierte sie Musikwissenschaft an der Humboldt-Universität zu Berlin. Ihr Schwerpunkt liegt auf der Musik des 20. und 21. Jahrhunderts. Zur Zeit beschäftigt sie sich mit dem Erwerb ihres PhD mit dem Thema Trans- und Interkulturalität in der Neuen Musik.

Stockhausens Originale in der Werkstatt des Schiller Theaters Berlin