Ein drittel Trittico: Gianni Schicchi am Teatro Piacenza

By Isabella Steppan, 24 January 2021

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“Giuliana Gianfaldoni zog als Lauretta stimmlich die Aufmerksamkeit problemlos auf sich”

Reviewed at Teatro Municipale, Piacenza on 22 January 2021

Puccini, Gianni Schicchi

Fondazione Teatri di Piacenza

Massimiliano Stefanelli, Conductor

Renato Bonajuto, Director

Artemio Cabassi, Costume Designer

Michele Cremona, Lighting Designer

Roberto de Candia, Gianni Schicchi

Giuliana Gianfaldoni, Lauretta

Matteo Desole, Rinuccio

Valeria Tornatore, Zita

Andrea Galli, Gherardo

Renata Campanella, Nella

Graziano Dallavalle, Betto di Signa

Mattia Denti, Simone

Juliusz Loranzi, Marco

Stefania Ferrari, La Ciesca

Valentino Salvini, Maestro Spinelloccio

Simone Tansini, Ser Amantio di Nicolao

Francesco Cascione, Pinellino

Lorenzo Sivelli, Guccio

Michele Zaccaria, Buoso Donati

Orchestra Filarmonica Italiana

A traditional Il corsaro revived in Piacenza

Renato Verga, 6th May

In this Verdi's popular work we find a paroxysm of affections that is consonant with Matteo Beltrami's energetic conducting.

***11

A convincing Norma in Reggio Calabria

Lorenzo Fiorito, 2nd November

Despite some minor flaws, a well appreciated performance of Bellini's masterpiece.

***11

Werther oozes quiet despair in new Canadian Opera Company staging

John Gilks, 7th May

Excellent performances cannot turn a conventional production of Massenet’s Werther into a dramatic experience for the 21st century.

***11

Rossini's Cenerentola proves great fun in Adelaide

Sandra Bowdler, 7th May

Neil Armfield's production for State Opera South Australia combines a sparkling night of entertainment with first class musical values.

****1

Peter Grimes drops anchor again at The Royal Opera

Christopher Woodley, 5th May

Allan Clayton and Sir Bryn Terfel lead a strong cast in a revival of Deborah Warner's dark staging of Britten's signature work at Covent Garden.

****1

The early flowering of opera: a fragrant L’Orfeo at Schwetzingen

Mengguang Huang, 3rd May

Markus Bothe’s Botticelli-inspired production fuses tableau vivant aesthetics with Jörg Halubek’s surgical musical precision, offering a peerless, vivid tribute to the fragrant dawn of opera.

****1

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Isabella Steppan

Isabella lebt in Graz und unterrichtet Deutsch und Philosophie/Psychologie. Ihre Freizeit verbringt sie am liebsten in der Oper, in klassischen Konzerten oder im Theater. Ihr Herz schlägt besonders für die Oper des 19. und frühen 20. Jahrhunderts und die Operette. Als @operafangirl ist sie auf Twitter aktiv.

Ein drittel Trittico: Gianni Schicchi am Teatro Municipale di Piacenza