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A daring double bill from Opera North and Phoenix Dance Theatre pairs Jeanguy Saintus' new choreography for The Rite of Spring with a revival of Christopher Alden's production of Gianni Schicchi. 

In two equally impressive performances, students from the RNCM star in these two one-act operas.

All three operas in Puccini's triptych are strongly cast in this revival. 

Petrenko's Puccini is bracingly alert, filled with colour and has a romantic sweep that is utterly transporting.

A great return appearance for English Touring Opera's Puccini double bill opening its spring tour at the Hackney Empire.

An unlikely coupling of one-act operas by Zemlinsky and Puccini bears fruit in a staging that reveals their thematic parallels while leaving their obvious differences on show.

Manuel de Falla’s rarely performed La Vida Breve and Giacomo Puccini’s comic Gianni Schicchi are quite contrasting mini-operas, united by common threads of deception and the clash of class distinction.

A blistering performance of Suor Angelica is the highlight of this strongly performed revival of Richard Jones' 2011 production.

Zeffirelli excess and Woody Allen wit: Los Angeles Opera's season opens with a double bill of Puccini's Gianni Schicchi and Leoncavallo's Pagliacci.

A series of cancellations resulted in an unusual triple bill: a rare Spanish opera, an impromptu concert by Plácido Domingo and Woody Allen's brilliant Gianni Schicchi.

Opera Holland Park give us a broad span of human joys and tragedies in an excellently staged and acted rendering of Puccini's Il trittico.

Tragedy giving way to comedy – a recipe which still works, as demonstrated in Opera North's fine double bill of Gianni Schicchi and La vida breve.

Royal Academy Opera's thoroughly competent Suor Angelica precedes a fabulously entertaining Gianni Schicchi, with a top drawer performance from Haobin Wang in the title role.

Opera Bohemia bring the boisterous tale of Gianni Schicchi to the Edinburgh Fringe in a fun-filled hour of musical delight.

Vittorio Borrelli's double bill of Zemlinsky's Eine Florentinische Tragödie and Puccini's Gianni Schicchi had the audience constantly re-evaluating not only what is real and artifice, but what could be deemed virtue and vice.

Following a string of misses, the Theater an der Wien emerges from its recent dry patch with a new production of Puccini’s triptych which offers a winning cast, the best playing heard at the house in months, and a smart production.

After their Mascagni debut last year, with L’amico Fritz (the composer’s first post-Cavalleria opera), Opera Holland Park have set out to uncover more music from the so-called ‘one-hit-wonder’ – still known to most for his smash verismo opera alone.

Fulham Opera’s 2012 season is, once again, one dedicated to Puccini and Wagner. Last year, the company brought to stage Puccini’s Suor Angelica – the long-unpopular middle opera of his Il trittico – and the opening work of Wagner’s Ring cycle, Das Rheingold. This season, St. John’s Church, Fulham, the company’s traditional venue, is hosting the last opera of Puccini’s triple bill, Gianni Schicchi, and the second of Wagner’s epic cycle, Die Walküre – two works that pose very different challenges for this ambitious independent opera group.

Murder. Suicide. Grand larceny. Puccini's triptych of short operas, two tragedies followed by a riotous farce, always makes for an evening of variety, with the potential for many snatches of greatness.

Puccini's Il Trittico, performed last night at the Opéra Bastille in Paris, is a unique item in the repertoire: a series of three one act operas with little to link them except the composer's conceit of what would work together in an evening. Each opera clocks in at something under an hour, and despite the relatively short duration, each has plenty of time to develop its characters.

Hundert Jahre nach der Weltpremiere von Il trittico gelingt der Volksoper Wien ein würdiger Tribut an Puccinis Werk.

Créé il y a bientôt quinze ans à Garnier, le diptyque réuni par Laurent Pelly occupe aujourd’hui la scène plus monumentale de Bastille. Son ancrage dans le plaisir de la comédie continue de séduire.

Unter der Leitung von Kiril Petrenko überzeugt die Bayerische Staatsoper in der gelungenen Neuinszenierung von Puccinis Il trittico mit meisterlichen Klängen und exzellenter Besetzung.

In Frankfurt war er mit Puccinis Il trittico dank einer musikalisch ausgefeilten und szenisch-psychologisch stimmigen Präsentation garantiert.