Spannung aus dem Orchestergraben

By Isabella Steppan, 15 November 2014

Loading, please wait...

See full listing

“Ballard gestaltete die Rolle in verschiedensten Nuancen von unsympathisch bis grausam”

Reviewed at Oper Graz, Graz on 13 November 2014

Rossini, Guillaume Tell (William Tell)

Frank Philipp Schlößmann, Set Designer

Ingeborg Bernerth, Costume Designer

Peter Grimes drops anchor again at The Royal Opera

Christopher Woodley, 5th May

Allan Clayton and Sir Bryn Terfel lead a strong cast in a revival of Deborah Warner's dark staging of Britten's signature work at Covent Garden.

****1

The early flowering of opera: a fragrant L’Orfeo at Schwetzingen

Mengguang Huang, 3rd May

Markus Bothe’s Botticelli-inspired production fuses tableau vivant aesthetics with Jörg Halubek’s surgical musical precision, offering a peerless, vivid tribute to the fragrant dawn of opera.

****1

Boston Doodle Dandy: Boston Lyric Opera presents La Fille du régiment

Kevin Wells, 1st May

Very few singers can hold an audience in the palm of their hand the way Brenda Rae as Marie does in this rollicking frolic.

****1

Deep into the American psyche: Carlisle Floyd’s Of Mice and Men

Hilary Stroh, 1st May

Carlisle Floyd's operatic setting of John Steinbeck’s classic novella is given a new production in the composer's centenary year at the Lyric Opera of Kansas City.

****1

Two funerals and a bedding at the Linbury Theatre

Eleanor Knight, 1st May

Tales of love and loss as operas by Elena Langer, Charlotte Bray and Elizabeth Maconchy form a varied triple bill in this showcase for The Royal Opera’s Jette Parker Artists.

****1

The triumph of virtue: Rossini’s Cenerentola in Brisbane

Sandra Bowdler, 29th April

Margarita Gritskova leads a fine ensemble performance of Rossini’s most under-appreciated opera by Opera Queensland.

****1

More reviews...

Isabella Steppan

Isabella lebt in Graz und unterrichtet Deutsch und Philosophie/Psychologie. Ihre Freizeit verbringt sie am liebsten in der Oper, in klassischen Konzerten oder im Theater. Ihr Herz schlägt besonders für die Oper des 19. und frühen 20. Jahrhunderts und die Operette. Als @operafangirl ist sie auf Twitter aktiv.

Spannung aus dem Orchestergraben: Wilhelm Tell an der Oper Graz