A rollicking good story woven into music by a composer without peers, the ultimate operatic expression of the High Romantic aesthetic, and an opera that actually feels short at five hours.
Dernier opus de la Tétralogie, le Crépuscule des dieux s'avère plutôt convaincant scéniquement. Vocalement, les chanteurs rendent justice à la musique de Wagner, malgré des signes de fatigue.
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