Performer: Christian Longchamp

ParisHamlet

Opéra national de Paris: Opéra Bastille, Sep 18, 21, 24, 27 mat, 30, Oct 03, 06, 09

Thomas: Hamlet

Michael Schønwandt; Krzysztof Warlikowski; Opéra national de Paris; Małgorzata Szczęśniak; Felice Ross; Orchestre de l'Opéra national de Paris

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Janáček Theatre (Janáčkovo divadlo), Fri 13 Nov at 20:00

Janáček: Kátya Kabanová

Robert Jindra; Krzysztof Warlikowski; Bavarian State Opera; Małgorzata Szczęśniak; Felice Ross; Bayerischer Staatsopernchor; Bayerisches Staatsorchester

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Bâtiment des Forces Motrices, 2027 Jan 24, 26, 27, 29, 30, Feb 01

Handel: Theodora

Raphaël Pichon; Krzysztof Warlikowski; Grand Théâtre de Genève; Małgorzata Szczęśniak; Felice Ross; Orchestre de la Suisse Romande

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Opéra national de Paris: Opéra Bastille, 2027 Mar 13, 16, 19, 22, 25, 28 mat

Shostakovich: Lady Macbeth of the Mtsensk District

Ingo Metzmacher; Krzysztof Warlikowski; Opéra national de Paris; Małgorzata Szczęśniak; Felice Ross; Orchestre de l'Opéra national de Paris

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Latest reviewsSee more...

Sulimsky and Grigorian grip Salzburg as the murderous Macbeths

Asmik Grigorian (Lady Macbeth) and Vladislav Sulimsky (Macbeth) © SF | Bernd Uhlig

Mark Pullinger, 06 Aug

Krzysztof Warlikowski’s ghoulish production has the Macbeths’ killing spree spring from their infertility.

****1

Claïna Clavaron (Street Singer) © Jean-Louis Fernandez

David Karlin, 04 Jul

Brecht and Weill’s political satire could hardly be more relevant, but Thomas Ostermeier and Maxime Balcon's new production fails to do it justice.

**111

Black Swan: Barbara Hannigan returns in Warlikowski's Lulu

Kevin W Ng, 18 Nov

Barbara Hannigan is better than ever in Krzysztof Warlikowski's iconic Lulu at La Monnaie – an historic event.

*****

There will be blood: Elektra in Salzburg

Roy Westbrook, 01 Aug

An Elektra conducted like Mendelssohnian fairy music, sung not shouted, just as Strauss required.

****1

Barocktage opens with a murder: Scarlatti’s Il primo omicidio

Laura Servidei, 01 Nov

Romeo Castellucci’s inspiring and spiritual production lands in Berlin, with a superb cast of Baroque specialists and the B’Rock Orchestra under the baton of René Jacobs.

****1

Asmik Grigorian (Lady Macbeth) © SF | Ruth Walz

Isabella Steppan, 26 Aug

Vladislav Sulimsky und Asmik Grigorian beeindrucken einmal mehr als mörderisches Paar; der stärkste Aspekt der gedanklich überfrachteten Inszenierung ist ihre detailreiche Personenführung.

****1

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