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Performer: Gabriele Rossmanith

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An immersive auto-da-fé: Konwitschny's Don Carlos sizzles

From stylised 16th-century dress to a 1970s sitcom ballet, Konwitschny's Staatsoper staging is full of brilliantly inventive touches, splendidly realised in this excellently sung revival. 
*****
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Hamburg's Die Tote Stadt: excellent singing but muddled staging

Hamburg's revival of a 2015 production is a musical success, but the director's concepts are sometimes too dense to tell a straightforward story.
****1
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Seriously funny: Glyndebourne's Rosenkavalier

Strauss' mix of bedroom farce, comedy of manners and bittersweet musing about aging is acted and sung superbly in this revival of Richard Jones' production.
*****
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Sara Mingardo leads a strong cast in Hamburg Ulisse

Willy Decker's production, presented in Zürich in 2014, is revived at the Hamburgische Staatsoper with most of the same cast
****1
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Homoki’s Rigoletto brings the Bundesliga to Hamburg

At least the colour-coded characters in Andreas Homoki’s farcical production made it easy to know which team to barrack for.
**111
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Blutleerer Liebes-Albtraum: Manon Lescaut in Hamburg

Leider scheitern die guten Ideen des Regisseurs, Philipp Himmelmann, an der Umsetzung.
**111
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