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Performer: Jean-Guihen Queyras

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Hong KongJean-Guihen Queyras Cello Recital (Six Suites, Six Echoes – Part II)

Jean-Guihen Queyras Cello Recital (Six Suites, Six Echoes – Part II)
Amy, Bach, Mochizuki, Nodaira
Hong Kong Sinfonietta; Jean-Guihen Queyras

Hong KongCellomania: Jean-Guihen Queyras Plays Tchaikovsky & Murail

Cellomania: Jean-Guihen Queyras Plays Tchaikovsky & Murail
Mozart, Murail, Tchaikovsky
Hong Kong Sinfonietta; Christoph Poppen; Jean-Guihen Queyras

IstanbulChamber Music with Stars - I: Faust, Queyras and Melnikov

Chamber Music with Stars - I: Faust, Queyras and Melnikov
Isabelle Faust; Jean-Guihen Queyras; Alexander Melnikov

TokyoJean-Guihen Queyras, Tomáš Netopil & Yomiuri Nippon Symphony Orchestra

Unknown programme - opera
Yomiuri Nippon Symphony Orchestra; Tomáš Netopil; Jean-Guihen Queyras

Los AngelesPiatigorsky International Cello Festival

Poulenc, Franck, Debussy, Milhaud, Fauré, Paganini, Crockett, Villa-Lobos, Bach
Narek Hakhnazaryan; Jean-Guihen Queyras; Camille Thomas; Sakura Cello Ensemble
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Kansas City Symphony in Copland, Milhaud and Ravel

Jean-Guihen Queyras © Marco Borggreve
Jean-Guihen Queyras is the soloist in Lalo's rarely performed Cello Concerto. 
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Orchestral sorcery from François-Xavier Roth and the LSO

François-Xavier Roth © Holger Talinski
Roth's exploration of the roots of musical modernism takes the LSO from Debussy to Strauss via Dvořák's Cello Concerto.
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Rosas: Bach6Cellosuiten

© Anne Van Aerschot
Anna Teresa De Keersmaeker’s, Jean-Guihen Queyras’ and Rosas’ Mitten wir im Leben sind/Bach6Cellosuiten presented at HAU 1 is a raw but very sleek work on Bach’s milestone of Western music.
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As English as roast beef: YNS and OM in Paris

Marie-Nicole Lemieux and Yannick Nézet-Séguin © François Goupil
On the last leg of their first international tour, the Orchestre Métropolitain and Yannick Nézet-Séguin fully embraced Elgar after a francophone first half of Berlioz and Saint-Saëns. 
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Gardner and the CBSO play Mahler 5

Edward Gardner © Neil Pugh
A concert of remarkable clarity, turning the structural challenges of Haydn and Mahler into dramatic virtues.
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