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Performer: Kangmin Justin Kim

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StrasbourgLe Couronnement de Poppéenew production

Monteverdi: L'incoronazione di Poppea, SV 308
Raphaël Pichon; Evgeny Titov; Opéra national du Rhin; Gideon Davey; Emma Ryott; Sebastian Alphons; Ensemble Pygmalion

MulhouseLe Couronnement de Poppéenew production

Monteverdi: L'incoronazione di Poppea, SV 308
Raphaël Pichon; Evgeny Titov; Opéra national du Rhin; Gideon Davey; Emma Ryott; Sebastian Alphons; Ensemble Pygmalion

ColmarLe Couronnement de Poppéenew production

Monteverdi: L'incoronazione di Poppea, SV 308
Raphaël Pichon; Evgeny Titov; Opéra national du Rhin; Gideon Davey; Emma Ryott; Sebastian Alphons; Ensemble Pygmalion

SchwetzingenBach, Graun, Heinichen, Handel

Bach, Graun, Heinichen, Handel
SWR Symphony Orchestra; Václav Luks; Kangmin Justin Kim

MontpellierOrfeonew production

Sartorio: Orfeo
Philippe Jaroussky; Benjamin Lazar; Opéra Orchestre National Montpellier; Adeline Caron; Alain Blanchot; Philippe Gladieux; Ensemble Artaserse

VeniceOrlando furioso, RV 728

Vivaldi: Orlando furioso, RV 728
Diego Fasolis; Fabio Ceresa; Teatro La Fenice; Massimo Checchetto; Beppe Palella; Orchestra del Teatro La Fenice; Coro del Teatro La Fenice
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Vocal performances enliven a sleepy Griselda at the Teatro Malibran

Ann Hallenberg leads a feast of fine singing, but the opera suffers from a somewhat confused, confusing production by Gianluca Falaschi.

**111
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Giacomelli's Merope resurrected by Marcon at the Concertgebouw

 Andrea Marcon and La Cetra give the first modern performance of Geminiano Giacomelli’s opera La Merope at the Concertgebouw. 
****1
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Vivaldi's Farnace returns to Venice at the Teatro Malibran

Christophe Gayral gives Vivaldi's Farnace a contemporary update at the Teatro Malibran, but there are musical compensations. 
***11
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Rediscovering a Vivaldi gem: Arsilda in Prague

Even without the costumes and choreography, Collegium 1704's presentation of Arsilda was enthralling.
*****
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A Clemenza to pardon at Theater an der Wien

Sam Brown's sparse production leaves nothing to focus on but the individual protagonists on stage. 
***11
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Gardiner runs Mozart ragged in The Royal Opera's Figaro

An exquisitely matched pair of sopranos as Susanna and the Countess make up for some quirky casting elsewhere. 
***11
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